Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
A close friend, a priest once told me years ago something I’ve never forgotten. “The people don’t need to know what it is to understand it.” They will understand the prayer interiorly if not in words. Since hearing that, I have always thought it important to play and pray music related to a relevant text.
But blessings come and go. Crosses are plentiful. Uncertainty makes life scary. But, no matter who you are, rich or poor, lowly sinner or saint, these words are prayed (hopefully sung) in the funeral mass: “In Paradisum…”
“The priest would listen to this heavenly music over and over, crying while listening to it. He was brought great comfort through the ministry of this music. He passed away earlier this fall.”
Have a blessed Christmas, and know the Light of Christ shines upon you and dwells within you!
Mæstro Edmund Murray directs a special Festival at Our Lady of Atonement in San Antonio, TX.
As a child growing up in the 1970s, I was well aware of the utter incompetence I was hearing on Sundays. As you can tell, I am still pretty upset about it.
Leadership and authority are two very different things. Some with authority do not command respect. A Servant Leader will usually earn the respect and trust of others. Do so, and you can change the world.
Chris Mueller has a very unique collection of Offertory Propers in English. He refers to them as “miniatures”, but each is unique revealing a depth of character that gives them lasting power.
I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.
I confront a challenge most musicians of sacred music face: the battle between the Word and musical “feel.” From the Word, emanates a life: all that is love, all that is beauty, all that is sacrifice and service to God.
Architecture? Incense? Piano? Guitar? Organ? Chant? Old translation? New translation? Latin? Inclusive or non-inclusive language? All the above sometimes have emotions assigned to them distracting from prayer. Putting God first is counter-cultural, but it should be apolitical.
We are called to be saints. Does this sound crazy? I am more and more convinced it is not. Perhaps there is a roadmap to sainthood that we’ve known all along.
I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.
Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!
Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.
