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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · August 1, 2014

The Necessity of Interior Prayer for Directors, Composers, and Publishers

Are we bringing forth treasures? Are we cultivating these treasures or do we leave them in the back of the storeroom?

Richard J. Clark · July 25, 2014

“The Celebration of the Liturgy is the most important act of evangelization.”

“Easy feelings and superficial affections do not, in the long run nourish the life of the believer; we need solid food of the word of God and the Eucharist, which have been from the beginning the only solid and substantial nourishment of the Christian.” — Goffredo Boselli

Richard J. Clark · July 18, 2014

Basic Steps To Improve Music At Your Parish — Part 3

Turn off the microphones. This can be a challenge when many parishes and even some cathedrals are enamored of carpeting – to say nothing of seat cushions!

Richard J. Clark · July 11, 2014

Unified Repertoire | Piano, Guitar, and Organ Accompaniments for the ICEL Chants

If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.

Richard J. Clark · July 11, 2014

Introductory Rites: Madness or Preparation?

In some cases, the Introductory Rites are among the most misunderstood and mangled part of the mass.

Richard J. Clark · July 4, 2014

Should We Sing Patriotic Hymns at Mass?

I love patriotic hymns. But should we sing them at mass?

Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

Richard J. Clark · June 20, 2014

Archbishop Sample’s Letter on Sacred Music (5 of 8)

The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.

Richard J. Clark · June 13, 2014

Pope Saint John Paul II on Gregorian Chant

As Gregorian Chant was arguably “dead” during much of his pontificate, Pope Saint John Paul II’s strong words on Gregorian Chant are therefore quite notable.

Richard J. Clark · June 6, 2014

Rebellion in the Liturgy

Here is a truth of human nature: When we can’t have something we want it. When something is forced upon us, we often reject it.

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Richard J. Clark · May 23, 2014

Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement

On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.

Richard J. Clark · May 16, 2014

United in the Eucharist — Conservative, Liberal, or Universal?

These questions are nonsense of course and we are beyond all of this.

Richard J. Clark · May 9, 2014

The Pipe Organ and Propers Flourish with Vexo and Weismann

While the pipe organ languishes in some places, it flourishes in others. There are three reasons why.

Richard J. Clark · May 2, 2014

The Pipe Organ in Survival Mode

Organists can no longer take for granted the dominant use—or for that matter, any use of the organ despite anything Sacrosanctum Concilium states.

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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