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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · July 11, 2018

The Sung Canon

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass.

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Dr. Lucas Tappan · July 3, 2018

Impressions from Sacred Music Colloquium 2018

I thought today I would share with readers some of my impressions of the wonderful events that took place.

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Dr. Lucas Tappan · June 5, 2018

The Beauty of Dance

There shall surely be dancing in Heaven.

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Dr. Lucas Tappan · May 15, 2018

Too Much Emphasis On Liturgy? • A Response

Perhaps the supposed over emphasis on the Liturgy among younger Catholics today is just a response to its devaluation since the 1960s.

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Dr. Lucas Tappan · April 30, 2018

Choosing Choral Repertoire

Is it okay for choirmasters to program the same piece several Sundays in a row?

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Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

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Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

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Dr. Lucas Tappan · February 20, 2018

Building Your Choir Vocally

If more choirmasters were honest with themselves, they would probably acknowledge that no more than 25 to 40 percent of their singers are actually leaders within their choirs.

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Dr. Lucas Tappan · February 13, 2018

Review • Fr. White’s Tools for Rebuilding

I’m edified by Fr. White’s work, but hope his regard for “church growth” doesn’t negate the Sacramental and supernatural nature of the Church.

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Dr. Lucas Tappan · February 6, 2018

Music in Catholic Schools

The Church possesses a tool of immense value.

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Dr. Lucas Tappan · January 23, 2018

Forward, Ever Forward!

One day, God willing, when He calls you into the New and Eternal Jerusalem, you will discover the eternal consequences of the offering of your widow’s mite.

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Dr. Lucas Tappan · January 16, 2018

What If…

Whether a Gothic cathedral in France, a rural Norman church in England or a Californian mission church, each one in its own way has the power to lift our eyes in contemplation of the New and Eternal Jerusalem.

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Dr. Lucas Tappan · January 2, 2018

Sound Does Matter!

In a sense, I understood every word. As a matter of fact, I was beaten over the head by every one of them.

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Dr. Lucas Tappan · December 27, 2017

Of the Father’s Love Begotten…

Some day I wouldn’t mind cooking up a good ol’ fashioned Christmas Ball, but ’til then have to content myself with adding a few pounds (or more than a few) in honor of our Lord’s birth.

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Dr. Lucas Tappan · November 28, 2017

7 Rules • “Your Family and Adventide”

Children need to see that everything takes second place to your relationship with Christ.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

Recent Posts

  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages

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