Let’s Bring Back the Thank-You Note
I’m a little early for Thanksgiving, but I think any church musician will appreciate this story of gratitude.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Keven Smith is the music director at St. Stephen the First Martyr Catholic Church, an apostolate of the Priestly Fraternity of St. Peter (FSSP) in Sacramento, California. He trains and directs a mixed choir that sings full Gregorian propers, ordinaries, and sacred polyphony at more than 100 traditional Latin Masses per year. Keven lives in Sacramento with his wife and five musical children.—Read full biography (with photographs).
I’m a little early for Thanksgiving, but I think any church musician will appreciate this story of gratitude.
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My grandparents served in World War II and helped defeat fascism. The service, faith, and prayers of people like them made it possible for us all to be church musicians today.
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The Dies Irae is part of why my choir prefers singing Requiems to Nuptial Masses. Here’s why you should spend a few minutes with this Sequence on All Souls Day.
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Looking for a speedy way to help your choir get into good placement for singing? The yawn breath encourages healthy phonation.
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(Keven Smith) • Ever had a man express interest in your choir, only to discover that he has trouble matching pitch? You may just need to unlock his high range. Here’s how I’d approach the situation • James C. McKinney is mentioned+
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It all boils down to recollection. This 39-page book will help. (And so will one weird trick with your computer, as the clickbaiters would say.)
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(Keven Smith) • I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation+
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One hundred participants? Either sacred music is alive and well or families are getting stir-crazy from the lockdown.
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These intuitive manuscripts give singers the information they need to bring out the oft-ignored nuances of chant rhythm.
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(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+
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Top 10 Features • “An Ideal Extraordinary Form Hymnal”
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You’ll never meet a serious choral singer who strives for a breathy sound. But a little breathiness in warmups and personal practice can work wonders.
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When was the last time you gave your muscles permission to relax and let your bones do their job?
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(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+
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In a recent survey, only 3% of young adults said it was music that drew them to the Latin Mass. Find out why that’s great news for church musicians.
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