“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Isn’t it wonderful to come back to rehearsals after a brief Christmas recess and realize Easter doesn’t come until April 20? It’s tempting to be very relaxed about progress, but I’m trying to keep a sense of momentum. Though I will probably spend a bit of extra time working on vocal production issues with my […]
How to achieve outstanding intonation without making your rehearsals tedious and stressful.
There’s no reason to get bored at this time of year!
It strikes me that many of the best motets my choir sings are ones I found by accident. These are motets that popped up as YouTube suggestions, or that someone mentioned in a Facebook thread and I casually gave them a listen. The lesson? Be open to finding good sacred music even when you’re not […]
How a simple technique called “SSS” can bring out the elegance of any phrase.
St. Robert Bellarmine’s commentary will enlighten you and your singers.
Here’s what you can learn from this Florida-based artist.
How to sell the idea to your singers, and what to teach them. (Part 2 of 2)
The case for offering private lessons to your singers. (Part 1 of 2.)
Here’s where to find improvisation recordings you can actually emulate.
Keep a repository of your choir-related thoughts and feelings. You’ll thank yourself someday.
Are you aware of your legs? And do you know why that matters for a choir conductor?
This sweet, simple SATB motet provides a contrast to heavier, darker Lenten repertoire. But it’s going out of season soon.
Let St. Augustine’s wisdom guide you through the most important season for Church musicians.
Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.
