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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Keven Smith • Article Archive

Keven Smith is the music director at St. Stephen the First Martyr Catholic Church, an apostolate of the Priestly Fraternity of St. Peter (FSSP) in Sacramento, California. He trains and directs a mixed choir that sings full Gregorian propers, ordinaries, and sacred polyphony at more than 100 traditional Latin Masses per year. Keven lives in Sacramento with his wife and five musical children.—Read full biography (with photographs).

Keven Smith · January 13, 2026

Can This Weird Warmup Put Your Voice in Good Placement?

I didn’t even mean for it to be a vocal warmup, but it worked perfectly.

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Keven Smith · October 14, 2025

Children’s Repertoire • Three More Recommendations by Keven Smith

Don’t give up. Your work with young singers today will continue to bear fruit for decades after you die.

Keven Smith · June 25, 2025

Hidden Gem: Ascendit Deus (Dalitz)

Save this delightful Ascension motet for next spring. It’s well within reach for even beginning choirs.

Keven Smith · January 23, 2025

Don’t Be Fooled by a Late Easter

Isn’t it wonderful to come back to rehearsals after a brief Christmas recess and realize Easter doesn’t come until April 20? It’s tempting to be very relaxed about progress, but I’m trying to keep a sense of momentum. Though I will probably spend a bit of extra time working on vocal production issues with my […]

Keven Smith · January 2, 2025

Tuning Your Choir Without Driving Them Mad

How to achieve outstanding intonation without making your rehearsals tedious and stressful.

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Keven Smith · October 31, 2024

Final Sundays after Pentecost

There’s no reason to get bored at this time of year!

Keven Smith · October 8, 2024

Finding New Motets

It strikes me that many of the best motets my choir sings are ones I found by accident. These are motets that popped up as YouTube suggestions, or that someone mentioned in a Facebook thread and I casually gave them a listen. The lesson? Be open to finding good sacred music even when you’re not […]

Keven Smith · February 20, 2024

Choir Doesn’t Sound “Musical” Enough? Here’s What May Be MiSSSing

How a simple technique called “SSS” can bring out the elegance of any phrase.

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Keven Smith · November 29, 2023

Stumped by Psalms? Try This

St. Robert Bellarmine’s commentary will enlighten you and your singers.

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Keven Smith · October 25, 2023

Organ Improviser in the Spotlight: Wayne Warren

Here’s what you can learn from this Florida-based artist.

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Keven Smith · September 15, 2023

Implementing a Private Lesson Program for Your Choir

How to sell the idea to your singers, and what to teach them. (Part 2 of 2)

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Keven Smith · August 18, 2023

Give Them Permission to Be Awesome

The case for offering private lessons to your singers. (Part 1 of 2.)

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Keven Smith · July 15, 2023

Finding Realistic Inspiration for Organ Improvisation

Here’s where to find improvisation recordings you can actually emulate.

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Keven Smith · May 27, 2023

The Choir Journal: A Choir Director’s Best Friend

Keep a repository of your choir-related thoughts and feelings. You’ll thank yourself someday.

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Keven Smith · April 29, 2023

Conducting Tip: Use the Whole Body

Are you aware of your legs? And do you know why that matters for a choir conductor?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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