PDF Download • “Evening Masses and Days of Obligation” (58 pages)
Permission has been given to post this marvelous 2016 dissertation by Fr. Shawn Tunink.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).
Permission has been given to post this marvelous 2016 dissertation by Fr. Shawn Tunink.
“And from the fig-tree learn a parable: when the branch thereof is now tender, and the leaves come forth, you know that summer is nigh.”
Christmas falls on a Monday this year—but documentation shows “double dipping” is forbidden.
Imagine the amount of time required to typeset something like this!
Do you take pictures of your choir? Photographs can serve as nice reminders of wonderful experiences.
“…and without parables He did not speak to them; that it might be fulfilled which was spoken by the prophet, saying, I will open my mouth in parables, I will utter things hidden from the foundation of the world.”
Bach’s music inhabits “a still and serious world…without color, without light, without motion” from which we cannot break away.
Excerpt from a documentary on “St. Thomas More” (Paul Scofield) which in 1966 won six Oscars at the Academy Awards.
This piece is perfect for “stealthily” adding polyphony to the Ordinary Form.
We choirmasters are frequently called upon to speak in public.
“Amen I say to you, whatsoever, you ask when you pray, believe that you shall receive, and it shall be done to you.”
It’s based on Pacheco’s version, created the year Guerrero died.
Sheen told Ferris that he wanted a classical repertoire at the cathedral in Rochester, including Gregorian chant.
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