Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

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6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which […]

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2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When […]

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31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules […]

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23 December 2020 • A 5th? or 4th?

I have noticed that where the Editio Vaticana has a descending perfect fourth for the Gradual of Christmas Midnight Mass, many ancient manuscripts have a descending perfect fifth, which is pretty cool: Example A — Example B. The Vatican Edition is a CENTO, and never made any claim to be anything other than a CENTO. […]

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