PDF Download • Easy Hymn with Melody in Tenor
The Brébeuf hymnal contains carefully chosen and flexible melodies; do you see how the following tune (“Old Hundredth”) can be used in the Tenor voice?
“If we do not love those whom we see, how can we love God, Whom we do not see?” Bishop Fulton J. Sheen
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.—Read full biography (with photographs).
The Brébeuf hymnal contains carefully chosen and flexible melodies; do you see how the following tune (“Old Hundredth”) can be used in the Tenor voice?
I bet you’ve not seen this fascinating book! • Many pieces in this Anglican collection are actually translations of Roman Catholic hymns, such as Ave Maris Stella, Audi Benigne Conditor, Ad Regias Agni Dapes, and so forth • Readers will mainly be interested in sections 3 and 4 • The “Englished” versions of the propers (e.g. Puer Natus Est) are quite interesting+
These will consist of $4,500 in tuition reduction and $1,500 toward voice lessons throughout the year.
If you like this, stay tuned—I’ll soon release a 1,200 page treasure!
A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on New Year’s Day.
“O God, Who hath brightened this most holy night with the shining of the true light…”
Unless I am mistaken, John David Chambers stole Neale’s rhymes without attribution.
No man can deliver his brother, no make agreement unto God for him.
This morning, I recorded the voice parts—but please pardon my screechy soprano notes!
Hermann Finck (d. 1558) wrote about choral sound and performance in 1556.
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