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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 17, 2022

PDF Download • 2022 “Vespers Booklet” (99 Pages)

If you spot typos, please let us know!

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Jeff Ostrowski · May 16, 2022

“Playing the Pipe Organ” • By Richard Nixon

Does the music of Franz Liszt belong to Adolf Hitler?

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Jeff Ostrowski · May 16, 2022

16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that […]

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Jeff Ostrowski · May 14, 2022

Worst Chanting I’ve Ever Heard

The Supreme Court has been in the news lately.

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Jeff Ostrowski · May 14, 2022

14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

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Jeff Ostrowski · May 14, 2022

14 May 2022 • Gorgeous Book

If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.

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Jeff Ostrowski · May 10, 2022

“Big Reveal” by the Symposium Committee

We are so pleased to welcome this priest!

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Jeff Ostrowski · May 7, 2022

“Yes or No?” • Thoughts On Singing The Creed

If his choir sounds terrible, why would you trust his advice?

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Jeff Ostrowski · May 3, 2022

Sound Familiar?

1 June 1579: “The chapter passes a rule that anyone ascending to the new organ without official permission shall be fined a month’s pay.” 26 October 1579: “The altar boys remain always separate and distinct from choirboys—the one group learning only plainchant and assisting at the altar, the other living with the chapel-master and studying […]

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Jeff Ostrowski · April 30, 2022

A “Dirty” Word (For Musicians)

Around the year 1955, “transcription” became a dirty word.

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Jeff Ostrowski · April 25, 2022

Choirs Love This Piece!

Back in 2001, I created an arrangement of “O Filii Et Filiae” based on the work of Monsignor Jules Van Nuffel. You can access free rehearsal videos at #5909. Choirs absolutely love singing this piece. You can hear my volunteer choir singing a live recording.

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Jeff Ostrowski · April 23, 2022

Choir Directors • “Is It Worth The Struggle?”

The choir director’s vocation is chock-full of difficulties.

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Jeff Ostrowski · April 18, 2022

{ Next Year! } • Somber Kyrie Settings For Lent

Corpus Christi Watershed has provided rehearsal videos to assist choir members who do not read music well.

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Jeff Ostrowski · April 14, 2022

Holy Thursday Introit • “Pure” Vaticana

Many people wonder what Cantus Gregorianus sounds like when sung according to the “official rhythm.” You can hear the Introit for Maundy Thursday sung that way—i.e. according to the “pure” Editio Vaticana—if you click here. Technically, this is the only interpretation allowed by the Church; cf. the letter of Cardinal Martinelli (18 February 1910).

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Jeff Ostrowski · April 13, 2022

Kevin Allen’s “Dómine Convértere” Sung At Saint Peter’s Basilica (Vatican City)

The Vatican’s choir sounds beautiful these days—no longer is it “the scandal of Christendom.”

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President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

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