Video Excerpt • “Fastest Organ Pedals I’ve Ever Seen!”
I’m jealous of anyone who can play the organ pedals so fast!
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).
I’m jealous of anyone who can play the organ pedals so fast!
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Anton Rubinstein, who hated child prodigies, called Josef Hofmann “the greatest musical genius the world has ever known.”
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Some erroneously attack the Extraordinary Form by claiming that before Vatican II “priests rushed through Low Mass in less than 20 minutes.” Well, during the pandemic, we have had Mass without the reception of Communion by the Faithful—and it makes duration of Mass surprisingly shorter. On feasts with no GLORIA, no CREED, and no HOMILY, […]
“Catholic teaching says we should pray for people who die. If we were sure they were in heaven, that wouldn’t be necessary—so let’s be consistent in our teaching.”
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Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.
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Overkill: “ too much of something; the amount by which destruction exceeds what is necessary.”
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If this problem is to be solved, we must first understand it.
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Pope Saint John Paul II said in June of 1980: “To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms—especially from Gregorian chant—a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.”
The index for the Brébeuf hymnal has beautiful capital letters, and I had previously believed our creation to be unique. However, it seems Fr. Adrian Fortescue beat us. (Deep sigh.) You can see that the index for his book, Ceremonies of the Roman Rite Described, is quite beautiful, and uses the capital letters I spoke […]
“I considered myself privileged to be Pastor at one of the places in Houck, Arizona, where Saint Katherine Drexel built a church and grade school.”
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From the 1958 Instruction published under Pope Pius XII: “If the faithful are to communicate, the singing of the Communion antiphon is to begin when the priest distributes Holy Communion. If this Communion antiphon has been taken from some psalm, the other verses of the same psalm may be sung, in which case the antiphon […]
The Sacred Congregation for Rites issued De musica sacra et sacra liturgia (“Instruction on Sacred Music and Sacred Liturgy”) on 3 September 1958. An excerpt: Finally, perfect active participation is achieved when there is also sacramental participation, by which “the faithful who are present communicate not only with spiritual affection, but also in reception of […]
“I had a brother who was married outside the Church and had stopped going to Church for about thirty years…”
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Where do the Latin acclamations come from, which replace the “Alleluia” during Lent? The traditional Divine Office replaces Alleluia with “Laus tibi Domine Rex aeternae gloriae.” Here’s a piece of paper that has all possible Ordinary Form “Lenten acclamations” in Latin.
Big news! They discovered why Franz Schubert’s “Unfinished Symphony” was never completed!
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