• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 29, 2023

Photograph • Pope Saint Paul VI Distributes Holy Communion (Kneeling, On The Tongue)

How dare we—who are so sinful—how dare we receive our Lord?

Jeff Ostrowski · April 29, 2023

Introit • “Jubiláte Déo” (3rd Sunday after Easter)

Sung according to the official rhythm of the Catholic Church.

Jeff Ostrowski · April 27, 2023

PDF Download • “English Hymns for Three Voices” (SSA), edited by Dr. Theodore Marier—182 pages

My choir will definitely be using these settings. They’re something many have begged for!

Jeff Ostrowski · April 27, 2023

FEEDBACK • 26 April 2023

A reader wrote to us about the MELCOMBE HYMN ARTICLE (whose official title was: 1950s Catholicism: Do We Want It Back?) with these kind words: “I so wish there was a CD of your choir. The Introit the other day stays with me all day!”

Jeff Ostrowski · April 26, 2023

“1950s Catholicism” • Do We Want It Back?

“I have found, to my astonishment, that Catholics…in their principal churches, do not to this day possess even one Mass setting even tolerably good, or which is not actually distasteful and operatic.” —Felix Mendelssohn (1835)

Jeff Ostrowski · April 24, 2023

It’s Coming!

The draft booklet (320 pages) which will—in a gorgeous hard-copy—be given to participants at the Sacred Music Symposium has been released. If you see any typos, please let me know ASAP. Thank you!

Jeff Ostrowski · April 22, 2023

PDF Download • Draft Copy — “2023 Symposium Booklet” (320 Pages)

I will never forget standing in that green room, waiting to go on stage.

Jeff Ostrowski · April 22, 2023

FEEDBACK • “Soul Was Craving”

I got this (personal) message from a choir member. I know we usually avoid sharing personal items, but hopefully this exception is warranted: “Dear Mr. Ostrowski, I read your recent article, “I Came From Somewhere.” I really enjoyed reading it. Thank you for all that you do. I appreciate your sentiments and your work to […]

Jeff Ostrowski · April 17, 2023

“I Came From Somewhere” • (So Did You!)

Including a haunting hymn by Flor Peeters for Eastertide.

Jeff Ostrowski · April 14, 2023

“Quasi Modo” • Introit for this coming Sunday.

I’m desperately in need of this book!

Jeff Ostrowski · April 12, 2023

“Regína Caéli Laetáre” • 18 organ accompaniments

Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.

Jeff Ostrowski · April 11, 2023

“Repugnant Pairing” (In My View)

We have spoken many times about the common tunes contained in the Saint Jean de Brébeuf Hymnal. I have suggested that these “shared melodies” are crucial for any director attempting to build a serious choral program in today’s environment. However, I’ve also said hymn pairings must be done with great sensitivity. Take a look at […]

Jeff Ostrowski · April 11, 2023

“Truly Bizarre!” • Easter Vigil on Easter Sunday?

Rather than allow the traditional times, the Vatican gave permission to allow the Easter Vigil to be celebrated on the morning of Easter Sunday!

Jeff Ostrowski · April 7, 2023

Good Friday Hymn • From “Lyra Catholica”

Could 1% of Catholics? Or even fewer than that?

Jeff Ostrowski · April 1, 2023

Help! • Seeking “Machine Gun” Singing Technique

It was without question the wildest thing I ever heard.

Follow the Discussion on Facebook

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 51
  • Page 52
  • Page 53
  • Page 54
  • Page 55
  • Interim pages omitted …
  • Page 189
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.