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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 9, 2024

“Church Music Job” • Salary Between $50k – $70k

“I believe any dedicated choirmaster would love to team up with a pastor like this one!” —Jeff Ostrowski

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Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

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Jeff Ostrowski · March 8, 2024

Introit • “Laetare Jerusalem” (4th Sunday of Lent)

Sung according to the official rhythm of the Catholic Church.

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Jeff Ostrowski · March 8, 2024

Ronald Reagan: “My Greatest Dread”

Excerpt (60 seconds) from an interview done in 1985 by the “Reader’s Digest” magazine.

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Jeff Ostrowski · March 7, 2024

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

How dare I broach such a subject?

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Jeff Ostrowski · March 5, 2024

Re: “Sacred Music Symposium” (2024)

Today, an announcement was sent out regarding the 2024 Sacred Music Symposium. If you’re not subscribed to our mailing list, you missed this announcement. I’ve tried everything I can think of to get folks to subscribe to our mailing list. Simply scroll to the bottom of any CCW article and enter your email address. It […]

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Jeff Ostrowski · March 4, 2024

“The Christian Can Only Be an Optimist!”

From a classic interview with Father Robert Skeris on EWTN.

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Jeff Ostrowski · March 2, 2024

“The Most Captivating Chorale” • (J. S. Bach)

“The mocking reed, and cruell ſpear, Their hate, his love diſplay.”

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Jeff Ostrowski · March 1, 2024

“Simplified” Keyboard Accompaniment

Are you an inexperienced organist? Were you formally a pianist? I invite you to download this simplified organ accompaniment for hymn #124 in the Saint Jean de Brébeuf Hymnal. I’m toying with the idea of creating a whole bunch of these, to benefit amateur organists. What is your opinion of such a project? Let me […]

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Jeff Ostrowski · March 1, 2024

“Stabat Mater” • Jeff Attempts to Sing All the Voices

A gorgeous, luscious, contemporary setting by Gustaaf Nees (d. 1965).

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Jeff Ostrowski · February 29, 2024

Relics of Father Brébeuf Touring the United States!

“They are the relics of the love of God which alone triumphs in the death of martyrs,” exclaimed Father Ragueneau.

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Jeff Ostrowski · February 28, 2024

“Palestrina500” • Sacred Heart Parish (Michigan)

Jean Calvin (d. 1564) famously detested sacred music. Ironically, Jonathan Bading—a convert from Calvinism!—has become one of the Church’s “leading lights” when it comes to authentic church music.

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Jeff Ostrowski · February 28, 2024

PDF Download • “Two-Voice Polyphony For Lent”

Found in a special choral collection by Maria von Trapp.

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Jeff Ostrowski · February 16, 2024

PDF Download • “For the Season of Lent” (SATB)

It even sounds great with four (4) singers: Soprano, Alto, Tenor, and Bass!

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Jeff Ostrowski · February 15, 2024

Offered in a Spirit of Dialogue

Pope Francis said famously: “To dialogue entails a cordial reception, not a prior condemnation.” The following brief utterances of mine are offered in that spirit. Pope Saint Pius X called the sacred liturgy “the primary and indispensable source of the true Christian spirit.” If the reformers had told the fathers of Vatican II they desired […]

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

Recent Posts

  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray
  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)
  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • Feast of All Saints (Nov. 1st)

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