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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 23, 2024

Response to Mike’s Letter • “Six Concrete Examples”

“I would dismiss it as the second text writer being lazy and stealing someone else’s music…” —Michael H.

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Jeff Ostrowski · January 18, 2024

Gregorian Chant … with a drone?

It’s possible to sing Carmen Gregorianum with a drone note (a.k.a. “ison”) but is this always a good idea? I’ve heard it done very poorly. We tried singing GLORIA IX with an ison last Sunday. Feel free to listen to this excerpt (Mp3) and let me know your thoughts.

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Jeff Ostrowski · January 18, 2024

Abbat Pothier on Gregorian Chant

“There is, then, in the Church, in the Catholic liturgy, a music that, as we have just stated, is both a word and a song, a music rich and powerful, although simple and natural, a music that is not self-seeking, which does not attend to itself but comes forth as the spontaneous utterance of religious […]

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Jeff Ostrowski · January 17, 2024

PDF Download • “Credo III + Polyphonic Extension”

When I just couldn’t take it anymore, I called up a friend on the telephone and paid him $150 to teach me.

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Jeff Ostrowski · January 16, 2024

Which Hymns Are Appropriate After Christmas?

How many Catholics realize how closely the feast of the Epiphany is tied to the Holy Eucharist and Calvary?

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Jeff Ostrowski · January 12, 2024

Organ Accompaniment Booklet (25 pages)

Those who celebrate VESPERS each week may wish to download my organ accompaniment booklet (25 pages) for the 2nd Sunday after Epiphany. This was originally released about a year ago (link), but minor improvements have been made.

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Jeff Ostrowski · January 12, 2024

“O Magnum Mysterium” • Do You Sing This?

The Consilium of Pope Paul VI asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?”

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Jeff Ostrowski · January 11, 2024

Know your hymns? How Well?

Several singers from my choir recently recorded this beautiful hymn (Mp3), using famous lyrics from the Brébeuf Hymnal. How well do you know your hymns? Can you name that tune? If so, please email us. If you correctly name that tune, I’ll declare: “You really know your hymns!”

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Jeff Ostrowski · January 8, 2024

PDF Download • Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment) — 102 pages

A major announcement on 8 January 2024!

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Jeff Ostrowski · January 8, 2024

Organ? Or SATB unaccompanied?

Pipe organ (with voices) or unaccompanied SATB? Which do you prefer? Yesterday at Mass, my volunteer choir gave you an opportunity to compare “apples to apples.” Simply click here and compare the first verse with the second. For the record, that melody is called by various names: ALTONA, VOM HIMMEL HOCH, ERFURT, and so on.

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Jeff Ostrowski · January 8, 2024

Simple “Salve Regina” • Its Origins

In the past, I have attempted to determine the origins of the “simple” Salve Regina chant. When it comes to the so-called “restored” plainsong books, the earliest instance I can find (of the simple version) is in the LIBER RESPONSORIALIS, published in 1895, a marvelous book based upon the groundbreaking research of Dom Joseph Pothier. […]

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Jeff Ostrowski · January 6, 2024

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

She claimed she’d rather die than sing “womb” at Mass, since she considered it to be a medical term.

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Jeff Ostrowski · January 3, 2024

Do You Recognize This “Christmas” Tune?

Over the last 70 years, ST VENANTIUS has fallen out of favor. One reason might be that many harmonizations of it are “chunky.” I was pleased to see the Brébeuf Hymnal adopted the harmonization by Dom Gregory Murray (probably the finest ever created for ST VENANTIUS). This morning, I created this pipe organ recording. The […]

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Jeff Ostrowski · January 3, 2024

“Jesu Redemptor Omnium” • Translated into English

“Thou light, thou radiance of the Father, thou undying hope of all, pay heed to the prayers that thy servants pour forth throughout the earth…”

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Jeff Ostrowski · December 31, 2023

PDF • January 1st (Organ Accomp. Booklet)

Anyone who wishes to may download the Organ Accompaniment Booklet (22 pages) I created for FIRST VESPERS of January 1st. That feast has various names, including “In Octava Nativitatis Domini.” These organ accompaniment booklets take forever to make!

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Corpus Christi Watershed

President’s Corner

    Music List • “Trinity Sunday” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Trinity Sunday—a.k.a. “Dominica I post Pentecosten”—which is 31 May 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are fairly traditional, but truly excellent (the Communion hymn especially stands out). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski
    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • What Shall Be Our Response?
  • Music List • “Trinity Sunday” (Year A)
  • Simple and Beautiful • “Pange Lingua Gloriosi”
  • “Entrance Chant” • Feast of Corpus Christi
  • Vanishingly Rare! • 1955 “Organ Accompaniment” (Mainz Diocese) — 328 Page PDF

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