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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 9, 2024

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

“This argument from silence is wildly improbable.” —Father John Parsons (2001)

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Jeff Ostrowski · April 7, 2024

Jeff Writes A Song About Dr. Weaver And Himself

This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.

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Jeff Ostrowski · April 7, 2024

Exiguous Performing Forces?

Even something simple can be wonderful.

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Jeff Ostrowski · April 6, 2024

PDF Download • “Spanish Responsorial Psalm” (19th Sunday in Ordinary Time, Year B)

A lovely offering by the “Chaumonot Composers Group.”

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Jeff Ostrowski · April 5, 2024

Confusion About This Responsorial Psalm

A serious typo in the Responsorial Psalm for the 17th Sunday in Ordinary Time, Year B.

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Jeff Ostrowski · April 4, 2024

Jeff Ostrowski To Leave Los Angeles!

I believe Catholics have a right to attend Mass without being aurally assaulted.

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Jeff Ostrowski · April 2, 2024

“Jesus Christ is Ris’n Today” (Simplified)

I hate hearing organists play wrong notes. I invite you to download this simplified organ accompaniment for hymn #699 in the Saint Jean de Brébeuf Hymnal. The hymn is “Jesus Christ Is Risen Today.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was […]

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Jeff Ostrowski · April 2, 2024

“Response to Dr. Weaver” • 2 April 2024

Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.

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Jeff Ostrowski · April 1, 2024

PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)

My volunteer choir sang this arrangement during the offertory on Easter Sunday.

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Jeff Ostrowski · March 31, 2024

“Strangest Of All…” • (Fortescue)

In his illustrious 1912 tome—The Mass: A Study Of The Roman Liturgy—Father Adrian Fortescue spoke of sequences, writing: “Strangest of all were the vernacular sequences in France and Germany, or those partly vernacular and partly Latin.” Our volunteer choir experimented with that on Holy Thursday, mixing Latin verses with an English refrain. For the record, […]

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Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

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Jeff Ostrowski · March 26, 2024

Good Friday’s Dazzling (and Ancient) Hymn

Visit a random church on Sunday morning and ask parishioners basic questions…

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Jeff Ostrowski · March 25, 2024

“Stabat Mater Dolorosa” • Four (4) Choral Settings

With a digression on ‘drab’ modern architecture.

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Jeff Ostrowski · March 25, 2024

William Byrd • “Mass for Five Voices”

Working with volunteers can be discouraging, but always remember there’s light at the end of the tunnel. Yesterday, during PALM SUNDAY MASS, our 100% volunteer choir pulled out the SANCTUS from William Byrd’s “Mass for Five Voices.”  This colossal performance was the result. (They literally didn’t know I was going to have them sing that […]

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Jeff Ostrowski · March 22, 2024

“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments

This version by Father Adrian Fortescue is fascinating!

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?

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