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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 1, 2024

PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)

My volunteer choir sang this arrangement during the offertory on Easter Sunday.

Jeff Ostrowski · March 31, 2024

“Strangest Of All…” • (Fortescue)

In his illustrious 1912 tome—The Mass: A Study Of The Roman Liturgy—Father Adrian Fortescue spoke of sequences, writing: “Strangest of all were the vernacular sequences in France and Germany, or those partly vernacular and partly Latin.” Our volunteer choir experimented with that on Holy Thursday, mixing Latin verses with an English refrain. For the record, […]

Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

Jeff Ostrowski · March 26, 2024

Good Friday’s Dazzling (and Ancient) Hymn

Visit a random church on Sunday morning and ask parishioners basic questions…

Jeff Ostrowski · March 25, 2024

“Stabat Mater Dolorosa” • Four (4) Choral Settings

With a digression on ‘drab’ modern architecture.

Jeff Ostrowski · March 25, 2024

William Byrd • “Mass for Five Voices”

Working with volunteers can be discouraging, but always remember there’s light at the end of the tunnel. Yesterday, during PALM SUNDAY MASS, our 100% volunteer choir pulled out the SANCTUS from William Byrd’s “Mass for Five Voices.”  This colossal performance was the result. (They literally didn’t know I was going to have them sing that […]

Jeff Ostrowski · March 22, 2024

“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments

This version by Father Adrian Fortescue is fascinating!

Jeff Ostrowski · March 22, 2024

“Reprehensible Chrism Mass” • (Do Not Click)

A disturbing video sent to us from the Diocese of Superior (Wisconsin).

Jeff Ostrowski · March 19, 2024

Church Music • “The Female Voice”

Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Jeff Ostrowski · March 18, 2024

“Simplified” Accomp. (1,700 downloads)

The last one I uploaded was downloaded more than 1,700 times in a matter of hours. Therefore, folks seem interested in such a project.

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

Jeff Ostrowski · March 12, 2024

PDF Download • Lenten Hymn + SATB Refrain

Professor Bouyer later admitted (in his memoirs) that his team of liturgical reformers had been doomed from the start, since their goal was “recasting from top to bottom—𝘢𝘯𝘥 𝘪𝘯 𝘢 𝘧𝘦𝘸 𝘮𝘰𝘯𝘵𝘩𝘴!—an entire liturgy which had required twenty centuries to develop.”

Jeff Ostrowski · March 11, 2024

“Response to Dr. Weaver” • 11 March 2024

“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger

Jeff Ostrowski · March 9, 2024

“Church Music Job” • Salary Between $50k – $70k

“I believe any dedicated choirmaster would love to team up with a pastor like this one!” —Jeff Ostrowski

Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses

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