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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 19, 2024

When Dr. Calabrese Addressed Me Personally

Including a ‘live’ recording of the Church’s oldest Latin Eucharistic Hymn, which comes from a 7th-century Irish manuscript.

Jeff Ostrowski · May 15, 2024

Documentation • “In the Olden Days, Was Vernacular Sung During Liturgical Services?”

Including a splendid harmonization of “Holy God, We Praise Thy Name.”

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Jeff Ostrowski · May 13, 2024

Organ Accomp. • “Ascension Hymn at Vespers”

The soul-stirring hymn used on ASCENSION THURSDAY at Vespers—and also used on the Sunday which follows the Ascension—was called in the 7th century: “Jesu Nostra Redemptio.” After 1631AD, the title of that hymn was changed to “Salutis Humanae Sator.” The melody assigned by the Vatican Commission on Gregorian Chant is rather mournful (and very difficult […]

Jeff Ostrowski · May 10, 2024

“For The First Time” • Our Choir Sings In Spanish!

That changed last week!

Jeff Ostrowski · May 10, 2024

Hymn for the Ascension

Here is a ‘live’ recording from the Mass on Ascension Thursday (2024): Hymn for the Ascension. I could not be prouder of this parish choir, which consists 100% of volunteers. To learn more about this hymn, please visit #704 in the hymn portal. I have argued that—in addition to CARMEN GREGORIANUM, organ music, and polyphony—hymns […]

Jeff Ostrowski · May 10, 2024

“Praise To The Lord” • Simple Accomp.

In case you missed the full article I posted the other day on Views from the Choir Loft, feel free to download a PDF version of my simplified organ accompaniment for the famous hymn “Praise To The Lord,” which is often paired with LOBE DEN HERREN. I’m toying with the idea of creating a whole […]

Jeff Ostrowski · May 10, 2024

“Yes or No?” • Should We Give People the Sacred Music They Ardently Crave?

Some of them became “obsessed” with this SATB arrangement—𝑎𝑛𝑑 𝑡ℎ𝑎𝑡’𝑠 𝑜𝑘𝑎𝑦!

Jeff Ostrowski · May 6, 2024

A Wonderful Woman Eviscerates The Argument Of An Infamous Liturgical Radical

Diekmann believed all the saints over the last 1,200 years—as well as the fathers of Vatican II—were dead wrong about the liturgy.

Jeff Ostrowski · May 6, 2024

Protected: Don’t Share • “Cantoral del Padre Antonio Daniel”

There is no excerpt because this is a protected post.

Jeff Ostrowski · May 5, 2024

MONTH OF MAY • “Reminder”

Each day, I speak via telephone to folks who have supported Corpus Christi Watershed for years. Many of them don’t know about our email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. Thank you!

Jeff Ostrowski · May 3, 2024

“The English Mozart” • Who Was That?

Including a hymn suitable for a Catholic wedding (“Nuptial Mass”).

Jeff Ostrowski · May 3, 2024

Anglican Ordinariate: “A Hymn For Saint Joseph”

With a digression on Cardinal Antonelli and the feast of “Saint Joseph the Artisan” (1 May).

Jeff Ostrowski · May 2, 2024

PDF Download • “Ad Regias” Hymn

Upon hearing this special rendition of the ancient Roman Catholic hymn for Eastertide known as “Ad Régias Agni Dapes” several readers requested the score. You may now download the PDF Score (4 pages) completely free of charge. [Rehearsal videos for each individual part are waiting for you at #33013.] For the record, prior to 1632AD […]

Jeff Ostrowski · May 2, 2024

Singing Bach At Mass? • “Yes! Yes! Yes!”

I wouldn’t argue if somebody made the claim that Sebastian Bach was “the most musical person who ever lived.”

Jeff Ostrowski · April 29, 2024

PDF Download • Simplified Accompaniment for the famous Hymn: “Praise To The Lord”

According to Monsignor Franz Stemmer, the famous hymn “Praise to the Lord” originally came from the 𝘚𝘵𝘳𝘢𝘭𝘴𝘶𝘯𝘥 𝘎𝘦𝘴𝘢𝘯𝘨𝘣𝘶𝘤𝘩 (1665).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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