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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 31, 2025

PDF Download • Intensely Rare 1898 “Roman Gradual” — (Released for the First Time in History)

I carefully scanned all 642 pages in (color) high resolution.

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Jeff Ostrowski · January 31, 2025

2 February • “Communion”

I would say: “Somewhat dark, yet beautiful”

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Jeff Ostrowski · January 30, 2025

Thoughts on the “English” Method of Hymn-Printing

Protestants sometimes say: “One must never omit verses of a hymn, because hymns tell a story.”

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Jeff Ostrowski · January 29, 2025

8 Reasons • “Why the Sacred Music Symposium Is Unlike Other Conferences”

Consider a few items you’ll learn at this year’s conference…

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Jeff Ostrowski · January 29, 2025

Can Polyphony Be Added to the Ordinary Form?

Vatican II went out of its way to be explicit—which is good news for conscientious choirmasters.

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Jeff Ostrowski · January 28, 2025

Breaking! • “Cardinal Roche Vs. Bishop Paprocki” (Development on 23 Jan. 2025)

On 23 January 2025, Arthur Cardinal Roche attempted (?) to overrule the Vatican’s “Committee on Canonical Affairs.”

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Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

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Jeff Ostrowski · January 25, 2025

“What Are the Urbanite Hymns?” (4-Page PDF)

“No one who knows anything about the subject now doubts that that revision of Urban VIII was a ghastly mistake, for which there is not one single word of any kind to be said.” —Father Adrian Fortescue

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Jeff Ostrowski · January 24, 2025

“Music List” • 3rd Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · January 24, 2025

Only Every Three Years…

Communion antiphon for the 3rd Sunday in Ordinary Time (Year C).

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Jeff Ostrowski · January 23, 2025

“Entrance Chant” • 3rd Sunday (Ord. Time)

This English adaptation uses a Tetrardus mode, as does the authentic Gregorian Chant version.

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Jeff Ostrowski · January 23, 2025

“Reminder” — Month of January (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

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Jeff Ostrowski · January 22, 2025

“Remembering William Mahrt” • My interview with Dr. Horst Buchholz (21 January 2025)

Includes Dr. Buchholz’s obituary for William Mahrt: “A Gentleman, a Scholar, and a Friend”

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Jeff Ostrowski · January 22, 2025

PDF Download • “Pipe Organ Recessional” (Manuals Only) — George Frederick Handel

I have a confession to make…

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Jeff Ostrowski · January 21, 2025

PDF Download • Singers’ Wedding Booklet (28 Pages)

I don’t pretend to have an answer to this question.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

  • “Comparison Chart” • 1940 Episcopal Hymnal
  • 21 Organ Accompaniments • Pentecost Sequence (“Veni Sancte Spíritus”) in Latin and English
  • “A Noble Sound” • Calling Men Back to Sacred Music
  • The Entrance Chant • “Further Discussion”
  • PDF Download • Accompaniment Edition (183 pages) — “Jesuit Hymnal” (Buffalo, New York)

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