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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 4, 2025

“Entrance Chant” • 5th Sunday of Lent

The Latin words are rendered so beautifully by Monsignor Knox.

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Jeff Ostrowski · April 3, 2025

Cool Symbolism

That’s pretty awesome!

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Jeff Ostrowski · March 31, 2025

Regarding “Pay-To-Pray” + Lectionary Errors

Many decisions, even those with monumental consequences, were made in secret.

Jeff Ostrowski · March 31, 2025

The “Secret” Prayer

“…and work upon us until we too become an eternal offering to thee…”

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Jeff Ostrowski · March 31, 2025

Possible Error? • 4th Sunday of Lent

Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors.

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Jeff Ostrowski · March 29, 2025

“Music List” • 4th Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · March 29, 2025

PDF Download • “Gloria III” Organ Accompaniment

This is surely one of music history’s great ironies!

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Jeff Ostrowski · March 27, 2025

Communion Chant (4th Sunday of Lent)

I have created a rehearsal video for this one.

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Jeff Ostrowski · March 26, 2025

“Entrance Chant” • 4th Sunday of Lent

This “Entrance Chant” is used during liturgical years A, B, and C.

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Jeff Ostrowski · March 25, 2025

PDF Download • “Musical Booklet” (16 Pages) — Solemnity of the Annunciation: 25 March

A simple Mass for Cantor + Organist.

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Jeff Ostrowski · March 22, 2025

“Music List” • 3rd Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · March 17, 2025

“Entrance Chant” • 3rd Sunday of Lent

This “Entrance Chant” is used during liturgical years A, B, and C.

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Jeff Ostrowski · March 17, 2025

“Opportunity of a Lifetime” • Don’t Miss This!

The vast majority of these women had never sung plainsong—but they’ve taken to it like a duck to water.

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Jeff Ostrowski · March 17, 2025

“Reminder” — Month of March (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

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Jeff Ostrowski · March 13, 2025

“Music List” • 2nd Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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