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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 7, 2024

PDF • “Advent Kyrie Accompaniment”

Kyrie XVII: “In dominicis Adventus et Quadragesimae.”

Jeff Ostrowski · December 6, 2024

Music List • (Immaculate Conception)

Readers have expressed interest in perusing the “music list” I’ve prepared for this feast.

Jeff Ostrowski · December 6, 2024

PDF Download • “Musical Outline” for the Feast of Our Lady’s Immaculate Conception

Rachmaninoff said: “Nine hours? That’s nothing. For a period of my life, I used to practice 17 hours a day.”

Jeff Ostrowski · December 4, 2024

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Who can explain this?

Jeff Ostrowski · December 3, 2024

PDF Download • Pristine Scan: Father Mathias’ 1905 Kyriale Organ Accompaniment (186 pages)

Father Mathias served as organist for Strasburg Cathedral, where he founded the “Saint Leo Institute for Church Music” in 1913.

Jeff Ostrowski · December 3, 2024

Organ Accompaniment • “Kyrie IV”

This was inspired by Florentinus Peeters (d. 1986).

Jeff Ostrowski · December 2, 2024

“Promptly, Firmly, & Persistently Repressed.”

The book is called: “Cantica Sacra: Hymns for the children of the Catholic Church.”

Jeff Ostrowski · December 2, 2024

Which Gospel Acclamations?

Some have asked which version…

Jeff Ostrowski · November 26, 2024

“Entrance Chant” • Immaculate Conception

This Introit is in mode iii, which some consider the most beautiful.

Jeff Ostrowski · November 26, 2024

PDF Download • “Entrance Chant” for the Feast of the Immaculate Conception (8 December)

What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?

Jeff Ostrowski · November 25, 2024

How Sharp Are Your Eyes?

The feast of the Immaculate Conception contains a typo.

Jeff Ostrowski · November 22, 2024

“Music List” • (Christ the King Sunday)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · November 20, 2024

PDF Download • “Entrance Chant” for this Coming Sunday (Christ the King) — 34th in Ordinary Time

Including three separate points on Dom Combe’s shameful and defamatory statement.

Jeff Ostrowski · November 19, 2024

“Entrance Chant” • Christ the King

The feast of Christ the King—a completely modern feast—was added in 1925.

Jeff Ostrowski · November 19, 2024

“Reader Feedback” • 19 November 2024

“I’m currently gathering materials for a newly ordained priest…”

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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  • Dr. Mahrt explains the ‘Spoken’ Propers
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  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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