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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 17, 2014

PDF Download • 1974 “Graduale Romanum”

“How can we celebrate this new rite when we have not yet got a complete missal, and there are still so many uncertainties about what to do?” — Pope Paul VI (1969 General Audience)+

Jeff Ostrowski · February 17, 2014

1965 Video • Dedication of an Irish Cathedral

The Cathedral of Our Lady Assumed into Heaven and St. Nicholas, commonly known as Galway Cathedral, is a Roman Catholic cathedral in Galway, Ireland.

Jeff Ostrowski · February 13, 2014

Why Can’t We Use Secular Music During Mass?

Listen to these audio files. Is there any difference between “My Little Pony” and Dan Schutte’s 2012 “Glory To God” setting? Is that a cause for concern?

Jeff Ostrowski · February 13, 2014

How To Hyphenate Latin Words (Break into different syllables)

I’ve spoken harshly of musicians who don’t cultivate social skills and are “obsessed” with insignificant things. I suppose that makes me a total hypocrite for posting this …

Jeff Ostrowski · February 9, 2014

Jungmann’s Remarkable Statement About The Mass Propers In 1964

In essence, Jungmann is saying, “I’ve decided that each Mass has a theme, and if the ancient Propers don’t match it, they’ve been wrong for 1600 years.”

Jeff Ostrowski · February 5, 2014

1965 Ordo Missae … In Spanish!

Kyle, one of our readers, sent us this fascinating liturgical artifact.

Jeff Ostrowski · February 5, 2014

Whence Came The New Eucharistic Prayers?

When the three new Canons were published, the Consilium sent the conferences a letter (dated 2 June 1968) “to assist catechesis on the anaphoras of the Mass.”

Jeff Ostrowski · February 4, 2014

Mp3 Audio: “Why Do I Use My Paper, Ink, And Pen”

The fact that this recording was created by one person will astound you. The fact that it’s offered to you free of charge is even better!

Jeff Ostrowski · February 3, 2014

“Polls Ye Shall Always Have With You”

When was the last time you saw the music of today’s popular Catholic composers treated in a serious way?

Jeff Ostrowski · January 28, 2014

Benedict Brought Peace To The Church With “Summorum Pontificum”

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.” — László Dobszay

Jeff Ostrowski · January 26, 2014

“Cannot” vs. “Will Not” in Sacred Music

Maybe I should have used the annoying little saying I learned as a kid: “I would if I could, but I can’t, so I won’t.”

Jeff Ostrowski · January 25, 2014

Now Online! Fr. Josef Jungmann’s Study of the Roman Rite “Missarum Sollemnia”

Freely PDF download of Fr. Jungmann’s masterpiece, “The Mass of the Roman Rite: its origins and development.”

Jeff Ostrowski · January 24, 2014

Ratzinger: “How much filth there is in the church!”

“Have mercy on your church,” Cardinal Ratzinger prayed in 2005. “When we fall, we drag you down to earth, and Satan laughs, for he hopes that you will not be able to rise from that fall; he hopes that being dragged down in the fall of your church, you will remain prostrate and overpowered.”

Jeff Ostrowski · January 23, 2014

Dom Joseph Gajard (1885-1972)

The greatest choirmaster of Solesmes and chef d’atelier of the Paléographic Musicale.

Jeff Ostrowski · January 20, 2014

Positive Liturgical Fruits Of Vatican II: First Part

In some respects, the Second Vatican Council did not go as far as Pius XII went in 1958 regarding active participation of the faithful.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

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  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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