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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 1, 2015

Judas Iscariot & Religious Freedom

Some have criticized Christ for making Judas part of his special group of friends.

Jeff Ostrowski · April 1, 2015

Musical Resources • Holy Thursday (1962)

Bells are rung and the organ played at the “Gloria”—but then stay silent until the Easter Vigil “Gloria.”

Jeff Ostrowski · March 31, 2015

What Happened To Our Catholic Artists?

From what I can tell, a trend toward *ugly* artwork in Church publications began in the late 1950s.

Jeff Ostrowski · March 30, 2015

Is This Where It All Began?

Why do so many traditional priests have an aversion to Pope Pius XII’s revision of Holy Week?

Jeff Ostrowski · March 29, 2015

Palm Sunday Outline • Extraordinary Form

During the procession, all or some of the following selections may be sung…

Jeff Ostrowski · March 29, 2015

Musical Resources • Palm Sunday (1962)

There are two ways to distribute palm branches in the Extraordinary Form.

Jeff Ostrowski · March 26, 2015

Diversity Of Thought

When it comes to reforming the liturgy, they want “all voices heard.”

Jeff Ostrowski · March 26, 2015

“O Sacred Head Surrounded”

An easier organ accompaniment, provided by Dr. Eugène Lapierre, teacher of Roger Wagner.

Jeff Ostrowski · March 25, 2015

Free PDF • Polyphonic Gloria With Practice Videos

Uses Gregorian chant with polyphonic _Falsibordone_ by Caesare de Zachariis (†1594).

Jeff Ostrowski · March 25, 2015

Video • Vocation Story Of Bishop Robert C. Morlino

“Scranton is a very Catholic town. Every guy, growing up considered the priesthood.” —Bishop Morlino

Jeff Ostrowski · March 24, 2015

Do You Know The Hymn Of Saint Casimir?

The *original* meter & rhyme scheme were miraculously kept in English, Polish, Greek, French, Spanish, Italian, and Hungarian!

Jeff Ostrowski · March 22, 2015

Musical Resources • 5th Sunday of Lent “Passion”

The “Gloria Patri” is not said at the Introit from this day until Easter Sunday, except on Feasts.

Jeff Ostrowski · March 21, 2015

Professional Recording • “Salve Festa Dies”

Including a video demonstration: “What makes polyphony so beautiful?”

Jeff Ostrowski · March 18, 2015

Video • Nuns At Work (1965)

“The Catholic nun works with zest and a sense of fun along with her devotion…”

Jeff Ostrowski · March 17, 2015

Improve Your Parish Liturgy … Instantly!

Have you noticed the change in atmosphere when people dress fancy, as opposed to tank tops with jeans?

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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