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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 1, 2015

Twelve (12) PDF Guides To Pronouncing Latin

Fr. Carlo Rossini’s is probably the best, but 11 more are also provided.

Jeff Ostrowski · May 1, 2015

Resources • 4th Sunday after Easter (1962 Missal)

The Communion can be written “Dum venerit” or “Cum venerit”—both are correct.

Jeff Ostrowski · May 1, 2015

In This Regard, The EF Cannot Compare To The OF

If you’re searching for “Cum vénerit Paráclitus,” you might want to check the *D* section…

Jeff Ostrowski · April 30, 2015

Liturgy Gone Wild

What do progressive liturgists truly want?

Jeff Ostrowski · April 29, 2015

Liturgical Silence—But Not What You Think!

When I was young, I would have tried to argue.

Jeff Ostrowski · April 29, 2015

Rare Video • Richard Nixon Meets With Pope Paul VI

Footage taken by John Ehrlichman a 1970s “home video reel.”

Jeff Ostrowski · April 28, 2015

PDF Download • “The Parish Hymnal” (1957)

“The origins of some are not known due to the long and nearly untraceable popular usage they have enjoyed.” —Gregorian Institute

Jeff Ostrowski · April 27, 2015

PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)

“These samples from Connelly make less sense in English than the Latin originals would to a North Korean.” —Msgr. Francis P. Schmitt

Jeff Ostrowski · April 27, 2015

Brave Schola Director Posts “Live” Recording • Part 2

We’re having a lot of fun…is that bad?

Jeff Ostrowski · April 24, 2015

Polyphonic “Alleluia” for 3 voices • Morales (†1553)

I’ve always believed it’s a mistake to have all-women alto sections and all-men tenor sections.

Jeff Ostrowski · April 24, 2015

Resources • 3rd Sunday after Easter (1962 Missal)

The recording of the Introit “Jubilate Deo” was created by Jeff Ostrowski—hope it helps!

Jeff Ostrowski · April 23, 2015

Amazing Opportunity for Los Angeles Catholics

Here’s your chance to meet Fr. John Berg, FSSP Superior General, who’s coming all the way from Switzerland.

Jeff Ostrowski · April 22, 2015

“Proper Of The Mass” (Ignatius Press) • Part 7 of 7

Let’s take a stroll down Memory Lane, shall we?

Jeff Ostrowski · April 20, 2015

Pope Visits Prison: “You could not come to me, so I have come to you.”

1300 criminals were present for Benediction.

Jeff Ostrowski · April 19, 2015

The One Thing That Unites Church Musicians

“She told the male students that careers in music are only good for mothers who desire to make some extra cash.”

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Bishops have a duty towards both wise and foolish. They have to rouse the devotion of the carnal people with material ornament, since they are incapable of spiritual things.

— St. Bernard of Clairvaux (†1153)

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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