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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 4, 2015

Musical Resources • 6th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · July 2, 2015

Annibale Bugnini’s Commentary (June 1967)

“The faithful everywhere have responded generously, and have greeted the new liturgy with great joy.” —Archbishop Bugnini (1967)

Jeff Ostrowski · July 1, 2015

Only Priests Can Save Catholic Music

Including thirteen (13) complete collections of Mass Propers…with audio examples!

Jeff Ostrowski · June 28, 2015

Loading Choir Binders In Los Angeles

I average one binder per second.

Jeff Ostrowski · June 26, 2015

Musical Resources • 5th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · June 24, 2015

Clearest Explanation Ever! —Bishop Gracida On Divorce & Remarriage For Catholics

“It is better to speak of a Declaration of Nullity rather than an Annulment…” —Most Rev. Gracida (1994)

Jeff Ostrowski · June 24, 2015

PDF Download • “Gloria In Excelsis” With 3-Voice Polyphony By Cristóbal De Morales

Could this have something to do with how each line comes through “cleanly” in 3-part music?

Jeff Ostrowski · June 22, 2015

Richard Rice • SATB Kyrie from Mass VIII

A luxuriant choral setting of the Kyrie from “Mass of the Angels”

Jeff Ostrowski · June 22, 2015

EWTN Classic • “Theology of Worship” with Fr. Robert Skeris (1998)

Mother Angelica sat down for a wonderful interview with a famous Theologian.

Jeff Ostrowski · June 21, 2015

Musical Resources • 4th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · June 17, 2015

SATB “Agnus Dei” by Verdelot with Rehearsal Videos

Who wouldn’t welcome a brief-but-beautiful piece like this?

Jeff Ostrowski · June 17, 2015

Does Having Children Preclude Service As A Catholic Musician?

Here are some thoughts, but I can’t promise they make sense.

Jeff Ostrowski · June 16, 2015

Top Six Liturgical Quotes By Robert Cardinal Sarah

Is the “Reform of the Reform” dead? Bishop Serratelli and many others disagree!

Jeff Ostrowski · June 12, 2015

Musical Resources • External Solemnity of the Sacred Heart (1962 Missal)

Some EF communities will celebrate the “External Solemnity” of the Most Sacred Heart on Sunday.

Jeff Ostrowski · June 10, 2015

Video • “Three Approaches To A Catholic Hymn”

Including a special version of the “Tantum Ergo” by Fr. Adrian Fortescue.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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