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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 19, 2019

An Outrageous “Paradox” I Cannot Accept

I’m not someone who believes everything was perfect before Vatican II—but calling the EF “worldly” compared to the OF is just silly.

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Jeff Ostrowski · February 14, 2019

Update! • Accompaniments for the Brébeuf Hymnal

Oh, if only…if only you knew what’s going on behind the scenes!

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Jeff Ostrowski · February 11, 2019

Breaking! • Father Edwin C. Dwyer Development?

Did Bishop A. Hurley have a change of heart?

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Jeff Ostrowski · February 7, 2019

“Your Choirmaster” • What Nobody Realizes

Do you see the part where it specifically asks for humiliation?

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Jeff Ostrowski · January 28, 2019

When Hymn Names Don’t Match

I submit to you that calling the same tune by multiple names in the same hymnal is unacceptable.

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Jeff Ostrowski · January 22, 2019

PDF Download • “Chant Service Book” (208 pages)

An extremely rare book from 1941, containing all your favorite Gregorian chants!

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Jeff Ostrowski · January 19, 2019

2nd Sunday after Epiphany • Saint Vitus Parish (LA)

“New evidence of wondrous pow’r | Behold in Cana’s marriage-dow’r; | Swift its own nature to resign, | The water blushes into wine.” —Msgr. Knox

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Jeff Ostrowski · January 16, 2019

Bishop Barron Vs. Hymn by Marty Haugen (2018)

“Heaven is not light-years away; that’s a silly way to think about it.” —Most Rev’d Robert Barron

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Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

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Jeff Ostrowski · January 8, 2019

“How To Use The Brébeuf Hymnal” (Video)

Yay! Short tutorial videos eradicate confusion!

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Jeff Ostrowski · January 3, 2019

“Missa de Angelis” • But in Iroquoian! (1865)

Many people don’t realize that gorgeous plainsong books were printed in the 19th century…but they were not in Latin.

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Jeff Ostrowski · January 2, 2019

“Mister Eye” • Do You Mind Him?

What do you think of “eye rhymes” in hymnody?

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Jeff Ostrowski · January 1, 2019

Marcel Dupré • “Live” Recording (2 Feb 1964)

A recording of Bach’s A-minor Prelude & Fugue made by the master at age 78.

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Jeff Ostrowski · December 22, 2018

PDF Booklet • Christmas Midnight Mass (36 pages)

It looks so simple when placed in a booklet like that…

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Jeff Ostrowski · December 18, 2018

The Most Popular Hymn Tunes? • A List

I could not have been more thrilled to see this list—those are exactly the tunes I love!

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“Saint Pius X restored to the faithful the two essential means of participation: communion and chant. Unfortunately, owing to prevailing ideas and circumstances, there was a tendency (it still persists) to separate the two, and one consequence of the increase of communions has been the desertion of high Mass; a distinction has grown up between communion Mass (anomalous term) and sung Mass, as if the two were incompatible.”

— Lancelot Capel Sheppard (22 Jan 1955)

Recent Posts

  • PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)
  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.

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