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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 8, 2018

4th Sunday of Lent (“Laetare Sunday”)

“Grant us, we beseech Thee, O merciful God, that we may treat with unfeigned veneration and ever receive with heartfelt faith Thy holy rites which we constantly celebrate…”

Jeff Ostrowski · March 6, 2018

PDF Download • Rare German Hymnal (879 pages)

Most German hymnals we’ve come across contain words only—but this one has harmonies!

Jeff Ostrowski · March 2, 2018

3rd Sunday of Lent (Extraordinary Form)

“Be merciful, O Lord, we beseech Thee, and free us from all sins and dangers…”

Jeff Ostrowski · February 28, 2018

Contemporary “Stabat Mater” (SATB) • by Gustaaf Nees (d. 1965)

You’ve never heard this arrangement before—perfect for Lent.

Jeff Ostrowski · February 25, 2018

“Tu Es Petrus” (Rec. 2017 Symposium)

No matter how many people imitate John Denver on the guitar in our churches, Palestrina and Victoria will always be loved and sought by serious Catholics.

Jeff Ostrowski · February 22, 2018

“First Run Through” • Guerrero’s Kyrie

“To put it simply, I was pierced by the beauty of the liturgy in a way I have never before experienced.” —2017 participant

Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

Jeff Ostrowski · February 15, 2018

Phone Interview • Fr. Guy Nicholls, Cong. Orat.

The Blessed John Henry Newman Institute of Liturgical Music (England) has a big announcement!

Jeff Ostrowski · February 13, 2018

Hymn Tunes That Are Actually The Same

Look carefully at this image…

Jeff Ostrowski · February 12, 2018

“Live Excerpts” … With One Rehearsal

This is something we will do again, because I think there’s great potential here.

Jeff Ostrowski · February 9, 2018

How Medieval Books Were Made

Absolutely *fascinating* beyond words!

Jeff Ostrowski · February 8, 2018

Brave Schola Director Posts “Live” Recording 1

…recorded on 28 January 2018.

Jeff Ostrowski · February 1, 2018

Video • Ratzinger made a Cardinal by Paul VI

Quite beautiful, but I prefer a different harmonization of “Holy God We Praise Thy Name”…

Jeff Ostrowski · February 1, 2018

Sexagesima Sunday (Extraordinary Form)

“Now they upon the rock are they who when they hear, receive the word with joy…”

Jeff Ostrowski · January 28, 2018

PDF Download • “Agnus Dei” … for Lent

…including rehearsal videos for each individual voice!

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“[Sacrosanctum Conclium’s implementation was] horrible, if we judge the debate on the liturgy as we have it today. Very few bishops would be proud to say they had a hand in it. Communion in the hand was never mentioned in the debate, neither was the word table (mensa) to take the place of altar—place of sacrifice… In my opinion the Debate on the Liturgy has been hijacked. The Council was…to reform, not to change completely.”

— Bishop Ignatius Doggett (who took part in Vatican II)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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