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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 13, 2026

Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)

“The first breakthrough came in Czechoslovakia where they gave permission to play the organ on Good Friday.” —Father Percy Jones

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Jeff Ostrowski · March 13, 2026

PDF Download • Communion (4th Snd. Lent)

There’s something irresistible about this tone.

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Jeff Ostrowski · March 10, 2026

Most “Congregational” Hymn • (In My Experience)

The key ingredient for a good parish music program.

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Jeff Ostrowski · March 9, 2026

Good Friday Flowers

Surely there are more than 1,000.

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Jeff Ostrowski · March 9, 2026

PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)

Only a foolish and stubborn person would claim that “hyena” is basically the same thing as “a holy person.”

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Jeff Ostrowski · March 7, 2026

“Dies Irae” • A Monstrous Translation

There’s a place for dynamic equivalency, but this is repugnant.

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Jeff Ostrowski · March 7, 2026

PDF Download • “Holy, Holy, Holy”

This is what we use for vigil Masses on Saturday (a.k.a. “anticipated” Masses).

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Jeff Ostrowski · March 6, 2026

Music List • (3rd Sunday of Lent)

Readers have expressed interest in examining my “music list” for this coming Sunday.

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Jeff Ostrowski · March 6, 2026

“National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

“For this reason, I encourage everyone to take the survey.” —Jeff Ostrowski

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Jeff Ostrowski · March 5, 2026

“Samaritánæ” (3rd Sunday of Lent)

The “Ordo Cantus Missae” introduces not only…

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Jeff Ostrowski · March 5, 2026

Grotesque Pairing • “Passion Chorale”

Were you shocked to see the Pius XII Hymnal (1959) assigning vernacular hymns to different parts of the Mass?

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Jeff Ostrowski · March 3, 2026

PDF Download • “Ubi Caritas” (SATB)

A wonderful option for smaller choirs.

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Jeff Ostrowski · March 3, 2026

PDF • “Cantus Mariales” (192 pages)

This gorgeous PDF scan is being offered completely free of charge

Jeff Ostrowski · March 1, 2026

Fulton J. Sheen • “24-Hour Catechism”

(9 of 50) “Divinity of Christ”

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Jeff Ostrowski · February 27, 2026

Music List • (2nd Sunday of Lent)

Readers have expressed interest in examining my “music list” for this coming Sunday.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

Recent Posts

  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings

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