Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 31, 2017

“Te Deum” • Printable 4-Page Sheet

…with English Translation by Rt. Rev. Msgr. Charles E. Spence.

Jeff Ostrowski · December 31, 2017

“Veni Creator Spiritus” • with Fortescue’s English Translation

A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on New Year’s Day.

Jeff Ostrowski · December 24, 2017

Your Christmas Present!

We met our fundraising goal, so you get these items!

Jeff Ostrowski · December 24, 2017

Midnight Mass (4th Sunday of December)

“O God, Who hath brightened this most holy night with the shining of the true light…”

Jeff Ostrowski · December 22, 2017

Cardinal Sarah to celebrate TLM on 21 May 2018

If this is accurate, it’s marvelous news.

Jeff Ostrowski · December 21, 2017

Xmas Image • Print for Children to Color

Courtesy of John Sonnen.

Jeff Ostrowski · December 20, 2017

Can You Say “Theft” ?

Unless I am mistaken, John David Chambers stole Neale’s rhymes without attribution.

Jeff Ostrowski · December 19, 2017

“Death” • By John Henry Cardinal Newman

No man can deliver his brother, no make agreement unto God for him.

Jeff Ostrowski · December 18, 2017

PDF Download • Kyrie “O Magnum Mysterium”

This morning, I recorded the voice parts—but please pardon my screechy soprano notes!

Jeff Ostrowski · December 17, 2017

How Should Renaissance Music Be Sung?

Hermann Finck (d. 1558) wrote about choral sound and performance in 1556.

Jeff Ostrowski · December 14, 2017

3rd Sunday of Advent (3rd of December)

John answered them, saying, “I baptize with water; but there hath stood one in the midst of you, Whom you know not…”

Jeff Ostrowski · December 13, 2017

PDF Download • “Rorate Mass” (13 pages) —Dec 2017

“Let us not be cast into the darkness to burn in flames, but may we share the joy of heaven, seeing the face of God.”

Jeff Ostrowski · December 11, 2017

Advent Piece for 2 Voices

Multi-Track recording created by a high school sophomore.

Jeff Ostrowski · December 8, 2017

PDF Download • Immac. Conception Booklet

“He whom the whole world cannot contain was enclosed in thy womb…”

Jeff Ostrowski · December 7, 2017

“Creator Alme Siderum” (Guerrero)

The famous plainsong tune can be played on a Woofer Guitar.

“Music List” • 1st Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 1st Sunday of Lent, Year C (9 March 2025). If such a thing interests you, feel free to download it as a PDF file. During Lent, the pipe organ is greatly reduced. Therefore, I marked a red “X” on all the pieces we’re singing a cappella.

—Jeff Ostrowski

“Kyrie Setting” we’re doing for Lent

During Lent, we’re singing the KYRIE polyphony from the Mass in Honor of Saint Noël Chabanel. There are various pieces of information (and variations) on that website. Therefore, to make it easy to find—since choirs appreciate “no hassle” scores—here are the parts: (a) The Ordinary Form musical score (PDF) is based on the EF score; (b) Soprano Voice rehearsal video is here; (c) Alto Voice rehearsal video is here; (d) Tenor Voice rehearsal video is here; (e) Bass Voice rehearsal video is here; (f) Equal Voices rehearsal video is here.

—Jeff Ostrowski

“You who dwell in the shelter of the Lord…”

The Communion antiphon for this coming Sunday is quite beautiful (PDF). I’m not sure I know any other feast which does what the 1st Sunday of Lent does. Specifically, the text for the COMMUNION is identical to the OFFERTORY, except the word “Dóminus” is understood in the Communion. The INTROIT, GRADUALE, and TRACT also use that same psalm: viz. Psalm 90.

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)