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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Author

Guest Author · May 12, 2014

Homily: 4th Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · May 6, 2014

John Henry Newman: A Deep History & A New Communion Motet

From chant to polyphony… our liturgies are being saturated once again with Proper texts and
liturgical music of great beauty.

Guest Author · May 3, 2014

Simple English Propers Organ Accompaniments

Two exciting new volumes in the field of sung propers.

Guest Author · May 3, 2014

Homily: 3rd Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · April 27, 2014

Homily: 2nd Sunday of Easter (Divine Mercy)

I’m happy that people want to gain the plenary indulgence on Divine Mercy Sunday. But remember, you can also gain it on other occasions.

Guest Author · April 25, 2014

The Thoughtful Theologian reflects on the canonisations of 27 April 2014

God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it.

Guest Author · April 21, 2014

Francis Thompson (1859 – 1907): Catholic, Addict, Poet

The intellect of the world has been corrupted. Francis Thompson is the antidote.

Guest Author · April 6, 2014

Homily: 5th Sunday of Lent (Year A)

“St. Paul quite bluntly says that if your life is in the flesh, then your life in the spirit is dead.”

Guest Author · March 30, 2014

Homily: 4th Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · March 23, 2014

Homily: 3rd Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · March 20, 2014

Why Do Priests Care So Much For The Liturgy and Sacred Music?

Does a desire for liturgical and musical elements that are authentically Catholic and deeply rooted in tradition really have anything to do in the life of a priest?

Guest Author · March 16, 2014

Homily: 2nd Sunday of Lent (Year A)

How do you envision heaven? Having a better understanding of it will aid you in getting there!

Guest Author · March 8, 2014

Homily: 1st Sunday of Lent (Year A)

“‘At the acceptable time I have listened to you, and helped you on the day of salvation.’ Behold, now is the acceptable time; behold, now is the day of salvation.” -2 Cor 6:2

Guest Author · March 4, 2014

Reflection on the Blessing of the Ashes

A brief Lenten reflection by Fr. Valentine Young, OFM.

Guest Author · March 4, 2014

Principles for Creating Chant for the Vernacular

David Clayton shares free resources and instruction for adapting Latin chant to English.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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