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Corpus Christi Watershed

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Views from the Choir Loft

Guest Author

Guest Author · May 12, 2014

Homily: 4th Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

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Guest Author · May 6, 2014

John Henry Newman: A Deep History & A New Communion Motet

From chant to polyphony… our liturgies are being saturated once again with Proper texts and
liturgical music of great beauty.

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Guest Author · May 3, 2014

Simple English Propers Organ Accompaniments

Two exciting new volumes in the field of sung propers.

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Guest Author · May 3, 2014

Homily: 3rd Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

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Guest Author · April 27, 2014

Homily: 2nd Sunday of Easter (Divine Mercy)

I’m happy that people want to gain the plenary indulgence on Divine Mercy Sunday. But remember, you can also gain it on other occasions.

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Guest Author · April 25, 2014

The Thoughtful Theologian reflects on the canonisations of 27 April 2014

God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it.

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Guest Author · April 21, 2014

Francis Thompson (1859 – 1907): Catholic, Addict, Poet

The intellect of the world has been corrupted. Francis Thompson is the antidote.

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Guest Author · April 6, 2014

Homily: 5th Sunday of Lent (Year A)

“St. Paul quite bluntly says that if your life is in the flesh, then your life in the spirit is dead.”

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Guest Author · March 30, 2014

Homily: 4th Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

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Guest Author · March 23, 2014

Homily: 3rd Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

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Guest Author · March 20, 2014

Why Do Priests Care So Much For The Liturgy and Sacred Music?

Does a desire for liturgical and musical elements that are authentically Catholic and deeply rooted in tradition really have anything to do in the life of a priest?

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Guest Author · March 16, 2014

Homily: 2nd Sunday of Lent (Year A)

How do you envision heaven? Having a better understanding of it will aid you in getting there!

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Guest Author · March 8, 2014

Homily: 1st Sunday of Lent (Year A)

“‘At the acceptable time I have listened to you, and helped you on the day of salvation.’ Behold, now is the acceptable time; behold, now is the day of salvation.” -2 Cor 6:2

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Guest Author · March 4, 2014

Reflection on the Blessing of the Ashes

A brief Lenten reflection by Fr. Valentine Young, OFM.

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Guest Author · March 4, 2014

Principles for Creating Chant for the Vernacular

David Clayton shares free resources and instruction for adapting Latin chant to English.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings
  • Stained Glass Window • Father Brébeuf

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