Success! • Sacred Music Retreat in Ohio
Immersion in what defines our very purpose as members of the choir.
Guest Article • “Composing a Responsorial Psalm”
What makes for a good responsorial psalm setting? Is it mere singability, a catchy tune, or something more?
Expectations Exceeded at the Symposium!
“If you occasionally share a habit of mine for getting stuck in one style, take new inspiration here!” —Miss Phoebe Wing
Marian Concert: Carmelite Sisters and Credo Choir
The Carmelite Sisters at Santa Teresita rarely sing for the public.
What does Cicero have to do with the Breviary?
A proposal for “mutual enrichment”
Towards An Online (Modern) Palestrina Edition
“I don’t think I need to say why a complete Palestrina online would be a good idea.” —Gervais Frykman
Are Canonisations Infallible?
Dogmatic definitions never involve a new doctrine of faith or morals, since whatever a Pope defines must be contained in Holy Writ or in Tradition in order to be infallible.
Latin Mass Youth Choir…in Las Vegas!
“I am a firm believer that anyone can learn to sing, even tiny children.” —Andrea Leal
“Beatus Vir Editions” Announces New Publication
Responsorial Psalms and Alleluias in honor of St. Therese of Lisieux.
Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 3 of 3)
We look to Mary to understand the “self reflection” of sacred polyphony.
Wearing the Veil at Ordinary Form Masses?
A guest article by Danielle Duet.
New Compositions Worthy Of Your Attention
A new Mass by Michael Duryea and two short works by Thomas J. Mosser.
Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 2 of 3)
The polyphonic imitative style of the Renaissance is a refection of the rational mind and the music of heaven.
Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 1 of 3)
The polyphonic imitative style of the Renaissance is a reflection of the rational mind and the music of heaven.
EF Divine Office Resource • Daily Recordings of Lauds
“At the crowing of the cock, hope returns…”