Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Fr. David Friel · March 3, 2019

Leo XIII to St. Katharine Drexel: “What about you?”

Today marks the feast of Mother Katharine Drexel, whom the Holy Father challenged to become a missionary.

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

Fr. David Friel · February 17, 2019

Sacred Architecture and Brexit

A connecting link in the form of Gothic cathedrals

Fr. David Friel · February 2, 2019

Fourth-Century Advice for Choir Directors

A passage from Nicetas of Remesiana remains eminently applicable today.

Fr. David Friel · January 27, 2019

Formed in Beauty Lectures

Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Fr. David Friel · January 20, 2019

Music Leads Us to Heaven

Franz Schubert’s famous art song, “An die Musik”

Fr. David Friel · January 13, 2019

Two February Workshops

A Symposium in Chicago and the Winter Pastoral Chant Conference in Indiana

Fr. David Friel · December 23, 2018

New Chair of Sacred Music at US Seminary

Dr. Nathan Knutson will inaugurate this new position.

Fr. David Friel · December 1, 2018

How Does Benedict XVI Perceive His Retirement?

Clues from a Wednesday General Audience

Fr. David Friel · November 18, 2018

Portland Publishes an “Archdiocesan Liturgical Handbook”

New publication from Archbishop Sample’s Office of Divine Worship

Fr. David Friel · November 4, 2018

Fulton Sheen on the Priesthood of the Baptized

A Lesson from a Retreat for the Priests of Gary, IN

Fr. David Friel · October 28, 2018

Proclaiming Christ’s Kingship

Acknowledging the Lord’s Dominion on Earth and in Heaven

Fr. David Friel · October 23, 2018

Solemn High Mass with Faure’s Requiem on All Souls’ Day

Missa Solemnis to be offered at St. John Paul II Shrine in Washington, DC

PDF • SABT Enhancement (“Our Father”)

If you direct music in the ORDINARY FORM, you’ll want to download this free PDF as fast as humanly possible. While in Europe last summer, Veronica discovered this breathtaking “polyphonic enhancement” for the Lord’s Prayer. The congregation sings their part as normal, while the choir “weaves” SATB harmonies around them. My choir is definitely going to use this!

—Jeff Ostrowski

“Entrance Chant” • Sunday (17 Nov. 2024)

Download the Entrance Antiphon in English for the 33rd Sunday in Ordinary Time (17 November 2024). It’s in mode 6—which some consider the “mode of peace”—and mimics the authentic version in a splendid and gorgeous way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Quotation” • Pope Pius X on Plainsong

In a letter to Msgr. Callegari (1897), Giuseppe Cardinal Sarto—later POPE SAINT PIUS X—wrote as follows: “If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei … that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.” Giuseppe Sarto, as Bishop of Mantua, personally copied (using a primitive duplicator) the sheet music necessary for the choir members, both in figured music and Gregorian chant.

—Jeff Ostrowski

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

Final Sundays after Pentecost

For those of us at a traditional Latin Mass, it’s that time of year when the sung propers for each Sunday repeat until the end of the liturgical year. What to do with the portion of your mid-week rehearsal that you normally devote to the next Sunday’s propers? I like to get a head start on propers for upcoming December feasts. We always sing Our Lady of Guadalupe on December 12 because she’s co-patroness of our diocese, and we sing a Rorate Mass in addition to Immaculate Conception. There’s also the first Sunday of Advent; it often follows Thanksgiving by a few days and we don’t rehearse on Thanksgiving. In short, there’s no reason to get bored at this time of year!

—Keven Smith

Parallel Fifths In Plainsong Accompaniment?

Parallel 5ths are forbidden in Baroque music and Classical music. However, plainsong accompaniment has its own rules and modal style. The great masters sometimes even wrote parallel sevenths! Instances of parallel fifths are too numerous to list in the Nova Organi Harmonia by the LEMMENSINSTITUUT. For example, consider this one. But one must possess a certain expertise to employ them properly. By the way, if you wish to see double parallel fifths, click here.

—Jeff Ostrowski