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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · November 3, 2015

Trination on All Souls: My Thoughts

Having invited reader input the other day, I offer now my own opinion.

Fr. David Friel · November 1, 2015

Should Priests Trinate on All Souls’ Day?

Whether the Permission to Do So Constitutes an Encouragement to Do So

Fr. David Friel · October 25, 2015

Catholic Artists Society 1

The Art of the Beautiful Lecture Series 2015-2016

Fr. David Friel · October 18, 2015

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 2 of 2

Monsignor Marini’s Final Encouragement to Papal Mass Servers

Fr. David Friel · October 13, 2015

Discussion of “Inclusivity” & “Diversity” at the Synod

Remarks from Archbishop Chaput

Fr. David Friel · October 11, 2015

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 1 of 2

A Behind-the-Scenes Look

Fr. David Friel · September 20, 2015

A Missal for the Ordinariate

Concrete gestures that enter hearts and stir consciences are essential, inspiring in everyone that inner conversion that is the prerequisite for all ecumenical progress. — Pope Emeritus Benedict XVI

Fr. David Friel · September 13, 2015

Brilliant Idea for A Parish Fundraiser

A Different Type of “Silent” Auction

Fr. David Friel · September 6, 2015

The Importance of Uniforms

The world needs the witness of priests in ordinary life, not just inside the church building.

Fr. David Friel · August 30, 2015

Society for Catholic Liturgy Conference 2015

Featuring Archbishop Salvatore Cordileone, Dr. William Mahrt, and Fr. Uwe Michael Lang

Fr. David Friel · August 23, 2015

Vesting Prayers • Part 8 of 9

The Chasuble

Fr. David Friel · August 16, 2015

Vesting Prayers • Part 7 of 9

The Stole

Fr. David Friel · August 9, 2015

Vesting Prayers • Part 6 of 9

The Maniple

Fr. David Friel · August 3, 2015

Assumption Mass 1

A Solemn High Mass in the Extraordinary Form next Friday evening in Philadelphia.

Fr. David Friel · August 2, 2015

Vesting Prayers • Part 5 of 9

The Cincture

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

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