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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · July 4, 2013

Blessed are the Peacemakers

Peace among men cannot come from hearts that are not at peace. Peace of soul is something only God can give us, and without it, we are lost.

Dr. Peter Kwasniewski · June 27, 2013

The Spirit of Solesmes

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy.

Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

Dr. Peter Kwasniewski · June 6, 2013

Can We Ever “Understand” the Mass?

Those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Dr. Peter Kwasniewski · May 30, 2013

Beethoven’s “Missa Solemnis”

Music history textbooks often speak of Beethoven’s Missa Solemnis as no more than a purely artistic statement, when in reality it is a testimony to his deep, if idiosyncratic, Catholic faith.

Dr. Peter Kwasniewski · May 23, 2013

Discerning Changes in the Old Missal

Could there be room for legitimate changes to the Missal of 1962, the last typical edition of the traditional Roman Rite of Mass or the “extraordinary form”?

Dr. Peter Kwasniewski · May 16, 2013

The Distracting Prayer of the Faithful

Looking at the structure and flow of the liturgical action, the Prayer of the Faithful marks a most awkward caesura in the liturgical action. We would be better off without them.

Dr. Peter Kwasniewski · May 9, 2013

On the Wonder and Strangeness of Sacred Music

The Church’s liturgy, since it is the Passover Feast, has to bring us out of the world, out of Egypt. So it ought to have a certain “strangeness” about it.

Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Dr. Peter Kwasniewski · April 18, 2013

On Correcting Deviant Liturgical Customs

The longer the hermeneutic of rupture and its expressions are allowed to continue, the longer a “Great Schism” between the preconciliar and postconciliar periods will be perpetuated. There is a real, pressing, desperate need for healing, reconciliation, and reunification.

Dr. Peter Kwasniewski · April 11, 2013

Why Liturgical Bad Habits Must Be Broken

The Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity.

Dr. Peter Kwasniewski · April 4, 2013

Can Theology and Liturgy Be Divorced?

Truly it would not be presumptuous to say that, in a liturgy completely centered on God, we can see, in its rituals and chant, an image of eternity.

Dr. Peter Kwasniewski · March 28, 2013

Banish All Guitars and Pianos from the Church

The increasingly obvious failure of contemporary church music should occasion a more widespread rejection of piano and guitar as accompanying or interluding instruments.

Dr. Peter Kwasniewski · March 21, 2013

On Listening to Good Music

Some people say that today’s popular music is “more emotional” while traditional music is “less emotional.” In reality, emotions evoked in popular music are more crude and monotonous. Emotions elicited by the music of Palestrina, Bach, or Mozart, being more intellectual, are more profound and pure.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

Recent Posts

  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia
  • PDF Download • “Anima Christi”
  • PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)

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