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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · July 4, 2013

Blessed are the Peacemakers

Peace among men cannot come from hearts that are not at peace. Peace of soul is something only God can give us, and without it, we are lost.

Dr. Peter Kwasniewski · June 27, 2013

The Spirit of Solesmes

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy.

Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

Dr. Peter Kwasniewski · June 6, 2013

Can We Ever “Understand” the Mass?

Those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Dr. Peter Kwasniewski · May 30, 2013

Beethoven’s “Missa Solemnis”

Music history textbooks often speak of Beethoven’s Missa Solemnis as no more than a purely artistic statement, when in reality it is a testimony to his deep, if idiosyncratic, Catholic faith.

Dr. Peter Kwasniewski · May 23, 2013

Discerning Changes in the Old Missal

Could there be room for legitimate changes to the Missal of 1962, the last typical edition of the traditional Roman Rite of Mass or the “extraordinary form”?

Dr. Peter Kwasniewski · May 16, 2013

The Distracting Prayer of the Faithful

Looking at the structure and flow of the liturgical action, the Prayer of the Faithful marks a most awkward caesura in the liturgical action. We would be better off without them.

Dr. Peter Kwasniewski · May 9, 2013

On the Wonder and Strangeness of Sacred Music

The Church’s liturgy, since it is the Passover Feast, has to bring us out of the world, out of Egypt. So it ought to have a certain “strangeness” about it.

Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Dr. Peter Kwasniewski · April 18, 2013

On Correcting Deviant Liturgical Customs

The longer the hermeneutic of rupture and its expressions are allowed to continue, the longer a “Great Schism” between the preconciliar and postconciliar periods will be perpetuated. There is a real, pressing, desperate need for healing, reconciliation, and reunification.

Dr. Peter Kwasniewski · April 11, 2013

Why Liturgical Bad Habits Must Be Broken

The Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity.

Dr. Peter Kwasniewski · April 4, 2013

Can Theology and Liturgy Be Divorced?

Truly it would not be presumptuous to say that, in a liturgy completely centered on God, we can see, in its rituals and chant, an image of eternity.

Dr. Peter Kwasniewski · March 28, 2013

Banish All Guitars and Pianos from the Church

The increasingly obvious failure of contemporary church music should occasion a more widespread rejection of piano and guitar as accompanying or interluding instruments.

Dr. Peter Kwasniewski · March 21, 2013

On Listening to Good Music

Some people say that today’s popular music is “more emotional” while traditional music is “less emotional.” In reality, emotions evoked in popular music are more crude and monotonous. Emotions elicited by the music of Palestrina, Bach, or Mozart, being more intellectual, are more profound and pure.

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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