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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · July 4, 2013

Blessed are the Peacemakers

Peace among men cannot come from hearts that are not at peace. Peace of soul is something only God can give us, and without it, we are lost.

Dr. Peter Kwasniewski · June 27, 2013

The Spirit of Solesmes

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy.

Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

Dr. Peter Kwasniewski · June 6, 2013

Can We Ever “Understand” the Mass?

Those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Dr. Peter Kwasniewski · May 30, 2013

Beethoven’s “Missa Solemnis”

Music history textbooks often speak of Beethoven’s Missa Solemnis as no more than a purely artistic statement, when in reality it is a testimony to his deep, if idiosyncratic, Catholic faith.

Dr. Peter Kwasniewski · May 23, 2013

Discerning Changes in the Old Missal

Could there be room for legitimate changes to the Missal of 1962, the last typical edition of the traditional Roman Rite of Mass or the “extraordinary form”?

Dr. Peter Kwasniewski · May 16, 2013

The Distracting Prayer of the Faithful

Looking at the structure and flow of the liturgical action, the Prayer of the Faithful marks a most awkward caesura in the liturgical action. We would be better off without them.

Dr. Peter Kwasniewski · May 9, 2013

On the Wonder and Strangeness of Sacred Music

The Church’s liturgy, since it is the Passover Feast, has to bring us out of the world, out of Egypt. So it ought to have a certain “strangeness” about it.

Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Dr. Peter Kwasniewski · April 18, 2013

On Correcting Deviant Liturgical Customs

The longer the hermeneutic of rupture and its expressions are allowed to continue, the longer a “Great Schism” between the preconciliar and postconciliar periods will be perpetuated. There is a real, pressing, desperate need for healing, reconciliation, and reunification.

Dr. Peter Kwasniewski · April 11, 2013

Why Liturgical Bad Habits Must Be Broken

The Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity.

Dr. Peter Kwasniewski · April 4, 2013

Can Theology and Liturgy Be Divorced?

Truly it would not be presumptuous to say that, in a liturgy completely centered on God, we can see, in its rituals and chant, an image of eternity.

Dr. Peter Kwasniewski · March 28, 2013

Banish All Guitars and Pianos from the Church

The increasingly obvious failure of contemporary church music should occasion a more widespread rejection of piano and guitar as accompanying or interluding instruments.

Dr. Peter Kwasniewski · March 21, 2013

On Listening to Good Music

Some people say that today’s popular music is “more emotional” while traditional music is “less emotional.” In reality, emotions evoked in popular music are more crude and monotonous. Emotions elicited by the music of Palestrina, Bach, or Mozart, being more intellectual, are more profound and pure.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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