A Fond Farewell
Changes in my personal life have made it necessary for me to curtail my blogging activity, and so this blog will be my last—at least for a time.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.
Changes in my personal life have made it necessary for me to curtail my blogging activity, and so this blog will be my last—at least for a time.
Let us make a point of singing good carols as much as we can throughout the whole Christmas season, rather than imitating a world that stops celebrating on December 26th.
A new book for those who are struggling to understand what has happened to the noble liturgy of the Roman Catholic Church and how we might find our way out of this crisis.
As we turn the corner to Advent, we might draw some inspiration from Pope Emeritus Benedict XVI.
The ancient and beautiful practice of chanting readings at Mass has largely disappeared in the Ordinary Form. What happened?
What exactly is the difference between the universal priesthood of the baptized and the ministerial priesthood of the ordained?
Freedom for all sounds nice in theory, but how does it work in practice?
Every piece of music, great or small, contains an indefinable message of the soul, penetrating, communicative, formative.
Everyone likes to think themselves at the golden mean between two extremes. The problem is, this often becomes a substitute for real thinking, and prevents us from striving for the best.
Is the organ postlude after Mass a loud distraction that stands in the way of making one’s thanksgiving? Or is it a wholly fitting conclusion to an act of public divine worship?
The death of the monastic life after the Second Vatican Council was the most devastating blow the Church received, and renewal will come from its rebirth.
‘Lumen Gentium’ was given to us fifty years ago, but its provisions still apply—and they are relevant to the availability of the Extraordinary Form.
A false notion of inculturation has allowed for a vast profanation and paganization of Catholic life and worship.
Educated people in the 19th century feared the influence of opera on moral character. We seem to have lost any sense of music’s power to corrupt us.
Reading the General Instruction of the Roman Missal can bring many surprises. One of them has to do with the ubiquitous communion hymn.
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