“Chant Rhythm Wars” • Dueling Lectures!
Ostrowski Vs. Weaver: Solesmes Rhythm, Gregorian Semiology, Dom Mocquereau, Dom Pothier, Mensuralism, and more!
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“I Decided to Get a Plane Ticket and Fly 8,700 Miles From Singapore to Take Part.”
“These are the musical treasures everyone needs to know about.” — 2022 Participant
“81 Photos” • Sacred Music Symposium 2022
More than eighty photographs give you a “glimpse” of a week dedicated to restoring authentic Catholic music.
“I Found Myself Weeping, Almost In Disbelief…”
“Your faculty may never know the depth of how you affected each person there. For my part, I am forever changed…” — Symposium Participant (Texas)
The USCCB desires your input!
“All contributions will be shared anonymously to ensure all questions can be answered with honesty and authenticity.”
Quote: “A weekend our choir will not soon forget!”
St. Mary’s: “Our singers experienced an incredible weekend working with Mr. Kevin Allen, the world-renowned composer.”
“Repertoire Page” • Sacred Music Symposium 2022
Sign up today! A few voice parts still have openings.
“To Hear Before You Die” • Essential Listening Guide
You might have heard parts of the “French Suites” by Bach without even realizing it…
“A New Era Of Church Music”
Also included are three (3) versions of the Stations of the Cross, by Fulton J. Sheen, Cardinal Ratzinger, and Alphonsus Liguori.
“A Plea to the Bishops” • By Monsignor Charles Pope
“As a pastor of souls, I wince at this sort of language directed at good Catholics…” —Monsignor Charles Pope
“Merry Christmas!” • From Our Family To Yours
Dear readers, thank you for everything!
Breaking! • Joint Statement by Superiors General of “Ecclesia Dei” Communities
“We beg for a humane, personal, trusting dialogue, far from ideologies or the coldness of administrative decrees.”
New Website! • “Restore The 1954 Holy Week”
We are pleased to observe how this site included our liturgical PDF files.
PDF Download • “Mass Propers for Weekdays, Commons, and Saints” (1,294 pages)
Useful links as a “follow-up” to Mæstro Clark’s article about Fr. Weber’s plainsong settings.