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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Motyka • Article Archive

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—Read full biography (with photographs).

Andrew R. Motyka · July 30, 2014

A Different Offering

What about NOT having congregational song during the Offertory?

Andrew R. Motyka · July 16, 2014

Basic Steps To Improve Music At Your Parish — Part 1

Simple steps to start moving from the “average” Catholic music program to a more reverent liturgy.

Andrew R. Motyka · July 9, 2014

CMAA Colloquium and Hoosier Hospitality

People should always be valued more than systems, and so it was with this gathering.

Andrew R. Motyka · June 18, 2014

Archbishop Sample’s Letter On Sacred Music (3 of 8)

We need to avoid profanity “not only in itself, but in the manner in which it is presented by those who execute it.”

Andrew R. Motyka · May 28, 2014

Laudate Dominum Communion Antiphons

A full set of free English settings of the Communion antiphons for cantor, organ, and congregation.

Andrew R. Motyka · May 14, 2014

Propers and “the Menu Approach”

You have Publisher X’s resources in the pews, so isn’t it easier to plan the liturgy using their resources?

Andrew R. Motyka · April 30, 2014

OF with an EF Priest

Why the EF seems to have all the good celebrants.

Andrew R. Motyka · April 16, 2014

Be Good to Your Choir

Give your choir some acknowledgement for all their hard work.

Andrew R. Motyka · April 9, 2014

Singing A Capella During the Easter Triduum

Following the tradition of singing a capella during the Easter Triduum, can lend it a solemnity that “punctuates the entire season.”

Andrew R. Motyka · March 12, 2014

Palm Sunday Passion Booklet – Free Download

Free Passion Booklet for Palm Sunday.

Andrew R. Motyka · March 5, 2014

Let Me Lent You Some Advice

Remember your own spiritual health during Lent.

Andrew R. Motyka · February 26, 2014

Setting an Example Through Funerals

Funerals can be a good time to demonstrate the possibilities of reverent liturgical music at Mass.

Andrew R. Motyka · February 19, 2014

The Young and the Extremely Young

“Despite being baptized Catholic, attending Catholic schools, and attending Mass regularly, he never knew about the Church’s musical heritage until the last few years.”

Andrew R. Motyka · January 29, 2014

Richard Sherman and Self-Confidence

The importance of confidence in performance.

Andrew R. Motyka · January 22, 2014

Tools for the Day

The Communion Antiphon often reflects back to the Gospel.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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