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Views from the Choir Loft

Booklet • Saint Antoine Daniel “Kyriale” (126 pages)

ERE IS A SPLENDID, affordable, powerful, indispensable book you should consider purchasing. It was created specifically for my parish in Los Angeles (where the Père Daniel resources are quite popular) but I thought some of our readers might like it as well, so it’s been made available for everyone. I could not function as a choirmaster without this book; it’s truly fabulous. Feel free to examine the complete file (126 pages). The draft copy was downloaded 600+ times—so there appears to be interest.

It came out crisp and beautiful:

*  Saint Antoine Daniel Kyriale ($5.99)
—126 pages; contains the complete KYRIALE, including Credo VII.

Why This Book? Some might point out that the KYRIALE can be found in the Parish Book of Chant (CMAA), which is a very nice book, as this pdf copy demonstrates. However, the Parish Book of Chant has a number of disadvantages:

Starting Pitches • The Parish Book of Chant lacks starting pitches; those who sing from the “Ordinarium Missae” on a regular basis appreciate how handy these are.

7th Credo • The Parish Book of Chant lacks the medieval Credo VII (one of the best).

Vidi Aquam Psalm Tone • The Parish Book of Chant does not provide an optional psalm tone version of the “Vidi Aquam” for the repeat—which means the priest has to stand there for a long time waiting.

Confusing Numbers • The Parish Book of Chant uses a “double” numbering system which is inelegant and extremely confusing.

Ineffective Headers • The Parish Book of Chant uses headers at the top of each page which are poorly done, repeating “Parish Book of Chant” over and over again.

Cost • The Parish Book of Chant costs $22.00 per copy, whereas the Antoine Daniel Kyriale costs $5.99.

Those are some of the reasons why our new publication was necessary.

Fun Fact: You might notice the bottom of page 76. This was an excellent suggestion by Fr. Valentine Young, OFM, and several FSSP priests. Without going into detail, it takes the “Benedicamus Domino” melody—for Sundays in Advent and Lent—but switches the words to “Ite Missa Est,” in accordance with Chapter 9 of Rubricarum Instructum (1961). I’m not thilled with the syllable placement, but it matches what is found in the official books:

82882-Benedicamus-Domino

After you examine page 76, let me know your thoughts in the Facebook comment section. While I don’t use Facebook very much for personal stuff, I do religiously read the comments that appear on the CCW Facebook page. (Pardon the pun!)

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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