Choir of Sainte Marie • “THE GREAT WEEK”

Corpus Christi Watershed · March 14, 2005

HOLY THURSDAY:
call time for men & women = 6:15pm

WOMEN MUST LEARN: ENTRANCE CHANT SCORE • rehearsal video

GOOD FRIDAY:
call time for men = 2:15pm
call time for women = 3:00pm (When the ceremony itself begins)

MEN MUST LEARN:

Musical Score • rehearsal video

MEN + WOMEN must learn:
Crux Fidelis (a.k.a. “Pange Lingua Gloriosi”)

HOLY SATURDAY:
full choir has no responsibilities on this day

EASTER SUNDAY:
call time = 9:00am

https://archive.ccwatershed.org/pdfs/39902-victimae-paschali-organ-accompaniment-english-usccb-approved-translation-400-cf2o/download/

https://archive.ccwatershed.org/audio/39357-pothier-victimae-nrm/download/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Reader Feedback” • 14 March 2025

We received the following message: “I am a revert to the Catholic faith. I want to tell you how enriched I am by your posts. I hold a music degree & have accepted a job at [we redact names for anonymity’s sake] which has both the Extraordinary and Ordinary forms of the Roman Rite. In particular, I love the INTROITS (in English, for the Ordinary Form) you’ve been posting at your splendid Feasts Website. I’m eager to reach the end of the liturgical year, so they’ll begin to repeat.”

—Corpus Christi Watershed

“Music List” • 2nd Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 2nd Sunday of Lent, Year C (16 March 2025). If such a thing interests you, feel free to download it as a PDF file. During Lent, the pipe organ is greatly reduced. Therefore, I marked a red “X” on all the pieces we’re singing a cappella.

—Jeff Ostrowski

“Entrance Chant” • 2nd Sunday of Lent

You can download the ENTRANCE ANTIPHON in English for the Second Sunday of Lent (16 March 2025). Corresponding to the vocalist score is this free organ accompaniment. This English adaptation uses the same mode as the authentic version. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ. (Organ accompaniment is permitted during Lent “to support the voices” in both the Ordinary Form and the Extraordinary Form.)

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman

Subscribe

It greatly helps us if you subscribe to our mailing list!