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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Theology of Worship” • Msgr. Robert Skeris (1998)

Jeff Ostrowski · February 18, 2025

NYONE WHO HAS studied Catholic sacred music over the last sixty years will know the name of Monsignor Robert Alex Skeris. Some knew him as a professor at the Catholic University of America. Others knew him when he was head of the Theology department at Christendom college. In the CMAA journals, Msgr. Schuler often referenced “Father Skeris of Rome” since he ran the Pontifical Institute of Sacred Music during the 1980s. I was present when Monsignor Skeris gave a lecture to the Sacred Music Colloquium—which he helped found 60 years ago—and received a standing ovation from a packed auditorium. The audience just kept applauding for the longest time…to the point where my ears started to hurt!

A student of Monsignor Skeris sent me a marvelous interview from 7 January 1998. In it, Mother Angelica of EWTN asks Monsignor Skeris to explain the Theology of worship. This excerpt addresses participatio actuosa (“active participation”):

Here’s the direct URL link.

Mother Angelica asks why liturgical music must be sacred:

Here’s the direct URL link.

Monsignor Skeris mentions what the fathers of Vatican II actually voted upon regarding Latin in the liturgy:

Here’s the direct URL link.

The Full Video • You can obtain this 60-minute DVD by searching Google. I think it was in the range of $17.00, and you’ll enjoy hearing Monsignor Skeris give candid answers to excellent questions from the audience. He speaks about the relationship of text & music; why Gregorian chant is the Church’s preference; whether we can use orchestral Masses based on secular tunes; and numerous other topics. I like the part where Mother Angelica presses him to reveal his favorite piece of music! By the way, EWTN has posted a 1990 article by Monsignor Skeris:

*  PDF Download • “Participatio Actuosa” (1990)

If you doubt the importance of discussions by the fathers of Vatican II, read this 1976 reference to the Conciliar relationes.

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Addendum • Requiem
aeternam dona ei, Domine,
et lux perpetua luceat ei.
Requiescat in pace. Amen.

https://www.zimmerfuneralhome.com/obituaries/robert-skeris

https://www.christendom.edu/2025/02/19/christendom-mourns-the-passing-of-professor-emeritus-fr-robert-skeris/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: EWTN Father Skeris, Monsignor Robert Alex Skeris, Participatio Actuosa Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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