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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Register Today!” • Sacred Music Symposium 2025

Jeff Ostrowski · February 12, 2025

S OF A FEW MINUTES AGO, enrollment has opened for the 2025 Sacred Music Symposium. If you visit the official website you can download the SCHEDULE OF EVENTS for 2025. We couldn’t be more excited about this year’s conference. The repertoire is peerless; the best of the best. Here are three things that distinguish our conference: (a) The bulk of it is dedicated to interactive rehearsals, in which participants are shown how to run a rehearsal properly; (b) All our presenters have established (in the real world) acclaimed music programs at the parish level; (c) The church we’re singing in has incomparable acoustics, even nicer than SAINT VICTOR in West Hollywood (where we held the first symposium) which had splendid acoustics.

You can download the official 2025 poster:

*  PDF Download • 2025 POSTER (High Resolution)

News! News! News! • A generous benefactor has agreed to cover 50% of the tuition for those who register before 5 May 2025 (Feast of Pope Saint Pius V). This offer is outstanding, and you can learn all about it by visiting the official website for Sacred Music Symposium 2025.

(1 of 3) Giving Back • I grew up with a ton of brothers (but just one sister). They were obsessed with playing certain computer games where you control your character in a make-believe world. They had to choose which NPC faction they wanted to fight with: the “Alliance” or the “Horde.” One day I asked: “So, how come neither side ever wins the game?” My brothers explained the game will never end—the ALLIANCE will be fighting the HORDE eternally.

(2 of 3) Giving Back • That computer game reminds me of the battle for authentic sacred music. It seems extremely unlikely we’ll ever succeed in eradicating all undignified music from every single Catholic Church. But as the great Monsignor Robert Alex Skeris reminded us: “Say not the struggle nought availeth.” Ours is a fight worth fighting—no matter the outcome!

(3 of 3) Giving Back • Having founded the annual Sacred Music Symposium ten years ago, I must admit it requires a lot more work than I’d imagined. But it’s kind of like parents who—out of a super-abundance of love—choose to adopt orphans. My colleagues and I have been given so much, this conference is an opportunity for us to “give something back.”

The rare photograph below was taken at the very first Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Sacred Music Symposium, Sacred Music Symposium 2025 Last Updated: May 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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