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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Register Today!” • Sacred Music Symposium 2025

Jeff Ostrowski · February 12, 2025

S OF A FEW MINUTES AGO, enrollment has opened for the 2025 Sacred Music Symposium. If you visit the official website you can download the SCHEDULE OF EVENTS for 2025. We couldn’t be more excited about this year’s conference. The repertoire is peerless; the best of the best. Here are three things that distinguish our conference: (a) The bulk of it is dedicated to interactive rehearsals, in which participants are shown how to run a rehearsal properly; (b) All our presenters have established (in the real world) acclaimed music programs at the parish level; (c) The church we’re singing in has incomparable acoustics, even nicer than SAINT VICTOR in West Hollywood (where we held the first symposium) which had splendid acoustics.

You can download the official 2025 poster:

*  PDF Download • 2025 POSTER (High Resolution)

News! News! News! • A generous benefactor has agreed to cover 50% of the tuition for those who register before 5 May 2025 (Feast of Pope Saint Pius V). This offer is outstanding, and you can learn all about it by visiting the official website for Sacred Music Symposium 2025.

(1 of 3) Giving Back • I grew up with a ton of brothers (but just one sister). They were obsessed with playing certain computer games where you control your character in a make-believe world. They had to choose which NPC faction they wanted to fight with: the “Alliance” or the “Horde.” One day I asked: “So, how come neither side ever wins the game?” My brothers explained the game will never end—the ALLIANCE will be fighting the HORDE eternally.

(2 of 3) Giving Back • That computer game reminds me of the battle for authentic sacred music. It seems extremely unlikely we’ll ever succeed in eradicating all undignified music from every single Catholic Church. But as the great Monsignor Robert Alex Skeris reminded us: “Say not the struggle nought availeth.” Ours is a fight worth fighting—no matter the outcome!

(3 of 3) Giving Back • Having founded the annual Sacred Music Symposium ten years ago, I must admit it requires a lot more work than I’d imagined. But it’s kind of like parents who—out of a super-abundance of love—choose to adopt orphans. My colleagues and I have been given so much, this conference is an opportunity for us to “give something back.”

The rare photograph below was taken at the very first Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Sacred Music Symposium, Sacred Music Symposium 2025 Last Updated: May 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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