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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • Re: “Simplified” Music (Part 2)

Corpus Christi Watershed · January 30, 2025

The following came from Celeste M.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: With regard to your recent article on simplified organ music I see you already printed a response. But I wanted to chime in anyway. I haven’t been doing parish music that long—only about 3 years at this point. But I do it a lot. Until very recently, I was accompanying at least two weekend Mass (or either piano or organ), plus directing a children’s choir, plus organizing and accompanying pretty much all the weddings and funerals. (I’m happy to report I usually only do one weekend Mass most weeks now, and someone else has assumed responsibility for the children’s choir.) Except for weddings and funerals, I am a volunteer. While I feel that I’m reasonably skilled, I do not consider myself to be a professional musician. I have played piano for about 40 years in all sorts of contexts, but never attended a university music program, nor completed my ARCT (I stopped piano studies just as I started RCM grade 10). I started the organ after a single, solitary organ lesson about 2.5 years ago (plus lots of instructional YouTube videos), and I’m still quite terrible with my feet. But that is, in large part, because I never learn anything adequately. I’m just doing glorified sight-reading most weeks unless it’s a piece that we do very frequently. This is mostly due to a combination of factors: the sheer number of Masses I have to prepare unique music for, the sheer number of my children (five, two of which are high-needs), a lack of organ at home (I only have a piano), and the steady rhythm of the Church Year!

I really appreciate simplified music, in part because I’m pretty much always doing things by the seat of my pants. I would much rather play a simple version well than try to stumble my way through something poorly, or even worse, at a dragging tempo! My task is to support singing, and I can’t do that if I can’t play what is being sung, or play it at a tempo that isn’t conducive to singing. I also would rather have simple music and “complicate” it myself.1 I find the task of simplifying to be much harder, especially on the fly, which is pretty much the entirety of my experience as a church musician! So starting simple and letting me adjust based on my skill and practice time results in a better end product, a happier choir director, and a more appreciative congregation.

Thank you for everything you do. You are a tremendous resource for those of us out here in the proverbial wild!

1 Can I add a few pedals? Yes, I can! Can I fill out these chords? You bet! Can I insert some passing notes or make this chord more colorful? That would be lovely!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: January 30, 2025

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.