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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • Re: “Simplified” Music (Part 2)

Corpus Christi Watershed · January 30, 2025

The following came from Celeste M.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: With regard to your recent article on simplified organ music I see you already printed a response. But I wanted to chime in anyway. I haven’t been doing parish music that long—only about 3 years at this point. But I do it a lot. Until very recently, I was accompanying at least two weekend Mass (or either piano or organ), plus directing a children’s choir, plus organizing and accompanying pretty much all the weddings and funerals. (I’m happy to report I usually only do one weekend Mass most weeks now, and someone else has assumed responsibility for the children’s choir.) Except for weddings and funerals, I am a volunteer. While I feel that I’m reasonably skilled, I do not consider myself to be a professional musician. I have played piano for about 40 years in all sorts of contexts, but never attended a university music program, nor completed my ARCT (I stopped piano studies just as I started RCM grade 10). I started the organ after a single, solitary organ lesson about 2.5 years ago (plus lots of instructional YouTube videos), and I’m still quite terrible with my feet. But that is, in large part, because I never learn anything adequately. I’m just doing glorified sight-reading most weeks unless it’s a piece that we do very frequently. This is mostly due to a combination of factors: the sheer number of Masses I have to prepare unique music for, the sheer number of my children (five, two of which are high-needs), a lack of organ at home (I only have a piano), and the steady rhythm of the Church Year!

I really appreciate simplified music, in part because I’m pretty much always doing things by the seat of my pants. I would much rather play a simple version well than try to stumble my way through something poorly, or even worse, at a dragging tempo! My task is to support singing, and I can’t do that if I can’t play what is being sung, or play it at a tempo that isn’t conducive to singing. I also would rather have simple music and “complicate” it myself.1 I find the task of simplifying to be much harder, especially on the fly, which is pretty much the entirety of my experience as a church musician! So starting simple and letting me adjust based on my skill and practice time results in a better end product, a happier choir director, and a more appreciative congregation.

Thank you for everything you do. You are a tremendous resource for those of us out here in the proverbial wild!

1 Can I add a few pedals? Yes, I can! Can I fill out these chords? You bet! Can I insert some passing notes or make this chord more colorful? That would be lovely!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: January 30, 2025

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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