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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2025

Jeff Ostrowski · January 31, 2025

The Mystery Has Been Solved

For more than twenty years, I’ve been searching for…

Jeff Ostrowski · January 31, 2025

PDF Download • Intensely Rare 1898 “Roman Gradual” — (Released for the First Time in History)

I carefully scanned all 642 pages in (color) high resolution.

Jeff Ostrowski · January 31, 2025

2 February • “Communion”

I would say: “Somewhat dark, yet beautiful”

Jeff Ostrowski · January 30, 2025

Thoughts on the “English” Method of Hymn-Printing

Protestants sometimes say: “One must never omit verses of a hymn, because hymns tell a story.”

Corpus Christi Watershed · January 30, 2025

Reader Feedback • Re: “Simplified” Music (Part 2)

“I haven’t been doing parish music that long—only about 3 years at this point.” —Celeste M.

Corpus Christi Watershed · January 30, 2025

“Entrance Chant” (Feast of the Presentation, 2 Febr.) • Sung by Three Young Women

This ‘live’ video shows three young women singing…

Veronica Moreno · January 29, 2025

Finding the Choir in FSSP-Lyon

“For twenty years I sang in the front of a Novus Ordo parish despite wanting to sing in the back.” —Veronica Moreno

Jeff Ostrowski · January 29, 2025

8 Reasons • “Why the Sacred Music Symposium Is Unlike Other Conferences”

Consider a few items you’ll learn at this year’s conference…

Jeff Ostrowski · January 29, 2025

Can Polyphony Be Added to the Ordinary Form?

Vatican II went out of its way to be explicit—which is good news for conscientious choirmasters.

Jeff Ostrowski · January 28, 2025

Breaking! • “Cardinal Roche Vs. Bishop Paprocki” (Development on 23 Jan. 2025)

On 23 January 2025, Arthur Cardinal Roche attempted (?) to overrule the Vatican’s “Committee on Canonical Affairs.”

Corpus Christi Watershed · January 27, 2025

Photograph • Mass at Dachau Concentration Camp

Is that a tiny pipe organ?

Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

Jeff Ostrowski · January 25, 2025

“What Are the Urbanite Hymns?” (4-Page PDF)

“No one who knows anything about the subject now doubts that that revision of Urban VIII was a ghastly mistake, for which there is not one single word of any kind to be said.” —Father Adrian Fortescue

Jeff Ostrowski · January 24, 2025

“Music List” • 3rd Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · January 24, 2025

Only Every Three Years…

Communion antiphon for the 3rd Sunday in Ordinary Time (Year C).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

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