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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Jeff Ostrowski · December 4, 2024

OST MUSICIANS who have looked over the documents on sacred music realize the Ordinary Form has two sets of propers: (a) SUNG PROPERS and (b) SPOKEN PROPERS. The Sung Propers, found in the revised GRADUALE ROMANUM are among the most ancient prayers we have. The Spoken Propers were a project undertaken by Dom Adalbert Franquesa Garrós in the late 1960s, designed for private Masses or “celebrations without music.” They are found in the priest’s SACRAMENTARY. So far, nobody’s been able to explain why Dom Franquesa’s project was undertaken. For example, Dom Franquesa said the ancient propria for HOLY TRINITY SUNDAY were “inappropriate” but gave no explanation whatsoever.

Zeitgeist Of The 1960s • The Spoken Propers often minimize (or annihilate) certain ideas found in Sacred Scripture. For instance, references to God “conquering” or “destroying” enemies are often bowdlerized: cf. the Entrance Chant for the 16th Sunday in Ordinary Time. They sometimes display an impoverished (or faulty) theology: e.g. the 16th Sunday in Ordinary Time assigns Acceptábis Sacrifícium for the COMMUNION ANTIPHON—but since it reinforces how the Mass is primarily a sacrifice, it was deleted.

Specific Example:

One of my professors used to say: “An example is worth a thousand words.” Therefore, let’s examine a concrete example. Consider the COMMUNION ANTIPHON for the feast of the Immaculate Conception on 8 December:

The “Gregorian Missal” (1990, Solesmes Abbey) is quite helpful because it provides the pericope citation:

In the “spoken” version, however, we see something very sneaky and quite peculiar:

Also, consider the 1970s ICEL version of text, as shown in the (now defunct, pre-2011) SACRAMENTARY. They have a funny way of rendering “Gloriósa dicta sunt de te” into English:

Conclusion • What is there to be said about all this? What possible reason did Dom Adalbert Franquesa Garrós have when he got rid of the section from Saint Luke’s Gospel? Did he have an aversion for the New Testament? Did he consider the Gospel of Saint Luke to be somehow “deficient” or in need of bowdlerization? What specifically was deficient or unacceptable about that verse from the Gospel of Saint Luke? The zeitgeist of the 1960s seemed to be: change for the sake of change!

The Second Vatican Council solemnly declared: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” Did the good of the Church “genuinely and certainly require” the annihilation of that passage from Saint Luke’s Gospel? Who specifically was being harmed by that passage?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Sung Vs Spoken Propers Novus Ordo Last Updated: December 4, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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