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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Suggestion for Ordinary Form Masses

Jeff Ostrowski · October 29, 2024

LONG WITH MANY others, I have insisted that the Traditional Latin Mass (a.k.a. “MISSALE VESTUSTUM”) is very important for the continuity of the Catholic Church. It’s an intensely pure and holy rite. Moreover, nobody’s been able to point out anything deficient about it. Needless to say, that doesn’t mean every priest who offers the TLM is perfect. Nor does it mean every single Catholic who attends the Extraordinary Form is perfect, or even a decent human being. Some have argued that a higher percentage of Catholics who attend the TLM “take their faith seriously.” That may or may not be true—but such a discussion will have to wait for another day. Today, I have a suggestion to make.

Rediscovery! • In the 1990s, when the MISSALE VESTUSTUM was being rediscovered, there were some problems. For instance, many of the older missals didn’t contain the 1962 modifications. As a result, some priests weren’t offering Mass according to the “pure” 1962 Missal.1 Some priests, for example, read the Gospel sotto voce before the Deacon sang it during Solemn Mass. Other priests allowed a third CONFITEOR before Communion. Still others used the “wrong” books for Holy Week.

Good Liturgical Praxis • An unfortunate result still lingers from those early days. To be blunt, the altar boys were often confused. During Holy Week, for example, what seemed like 15 minutes would elapse while the altar boy figured out which book or item was needed, went and grabbed it, and (finally) carried it to the priest. Sometimes the altar boy forgot to bow—so he’d grab the item back, bow, kiss the priest’s hand, then give it back. A good altar boy would have had that item waiting. The idea developed that having the priest wait 15 minutes for an item (or book) he needs is “good and reverent” liturgy. But that’s false. Indeed, a well-trained MASTER OF CEREMONIES keeps 1-2 steps ahead of the priest, anticipating what comes next and keeping things running smoothly.

Mutual Enrichment • In the MISSALE VESTUSTUM, the Deacon carries the Burse (containing the Corporal) to the Altar while the Creed is being sung by the choir:

My Suggestion • I have a suggestion for the Ordinary Form. I believe whoever’s going to read the petitions for the “Prayer of the Faithful” (a.k.a. BIDDING PRAYERS) ought to leave his seat during the CREED. He should open the book and be ready to play ball when CREED ends. I’d love to know whether you agree with me. “Reverent liturgy” doesn’t mean sitting there waiting for people to get into position when they ought to have done that already.

1  Some idiot will probably claim I’m expressing an opinion or preference vis-à-vis the 1962 rubrics. But literate people know better. I’m not expressing an opinion here; I’m merely describing what took place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bidding Prayers in the Ordinary Form, Missale Vetustum, Prayer of the Faithful Last Updated: October 29, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

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