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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Suggestion for Ordinary Form Masses

Jeff Ostrowski · October 29, 2024

LONG WITH MANY others, I have insisted that the Traditional Latin Mass (a.k.a. “MISSALE VESTUSTUM”) is very important for the continuity of the Catholic Church. It’s an intensely pure and holy rite. Moreover, nobody’s been able to point out anything deficient about it. Needless to say, that doesn’t mean every priest who offers the TLM is perfect. Nor does it mean every single Catholic who attends the Extraordinary Form is perfect, or even a decent human being. Some have argued that a higher percentage of Catholics who attend the TLM “take their faith seriously.” That may or may not be true—but such a discussion will have to wait for another day. Today, I have a suggestion to make.

Rediscovery! • In the 1990s, when the MISSALE VESTUSTUM was being rediscovered, there were some problems. For instance, many of the older missals didn’t contain the 1962 modifications. As a result, some priests weren’t offering Mass according to the “pure” 1962 Missal.1 Some priests, for example, read the Gospel sotto voce before the Deacon sang it during Solemn Mass. Other priests allowed a third CONFITEOR before Communion. Still others used the “wrong” books for Holy Week.

Good Liturgical Praxis • An unfortunate result still lingers from those early days. To be blunt, the altar boys were often confused. During Holy Week, for example, what seemed like 15 minutes would elapse while the altar boy figured out which book or item was needed, went and grabbed it, and (finally) carried it to the priest. Sometimes the altar boy forgot to bow—so he’d grab the item back, bow, kiss the priest’s hand, then give it back. A good altar boy would have had that item waiting. The idea developed that having the priest wait 15 minutes for an item (or book) he needs is “good and reverent” liturgy. But that’s false. Indeed, a well-trained MASTER OF CEREMONIES keeps 1-2 steps ahead of the priest, anticipating what comes next and keeping things running smoothly.

Mutual Enrichment • In the MISSALE VESTUSTUM, the Deacon carries the Burse (containing the Corporal) to the Altar while the Creed is being sung by the choir:

My Suggestion • I have a suggestion for the Ordinary Form. I believe whoever’s going to read the petitions for the “Prayer of the Faithful” (a.k.a. BIDDING PRAYERS) ought to leave his seat during the CREED. He should open the book and be ready to play ball when CREED ends. I’d love to know whether you agree with me. “Reverent liturgy” doesn’t mean sitting there waiting for people to get into position when they ought to have done that already.

1  Some idiot will probably claim I’m expressing an opinion or preference vis-à-vis the 1962 rubrics. But literate people know better. I’m not expressing an opinion here; I’m merely describing what took place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bidding Prayers in the Ordinary Form, Missale Vetustum, Prayer of the Faithful Last Updated: October 29, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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