Views from the Choir Loft

Repository • “Spanish Order of Music” (Sainte Marie)

Jeff Ostrowski · August 30, 2024

The following printable “booklets” are for Masses celebrated in Spanish. They’re by no means perfect. Nevertheless, some readers have expressed a strong desire to see them—so here they are:

24 November 2024 • Christ the King Sunday (Year B)

17 November 2024 • 33rd Sunday in Ordinary Time, Year B

10 November 2024 • 32nd Sunday in Ordinary Time, Year B

3 November 2024 • 31st Sunday in Ordinary Time, Year B

1 November 2024 • 7:00PM Bi-Lingual All Saints Mass

27 October 2024 • 30th Sunday in Ordinary Time, Year B

20 October 2024 • 29th Sunday in Ordinary Time, Year B

13 October 2024 • 28th Sunday in Ordinary Time, Year B

6 October 2024 • 27th Sunday in Ordinary Time, Year B

29 September 2024 • 26th Sunday in Ordinary Time, Year B

22 September 2024 • 25th Sunday in Ordinary Time, Year B

15 September 2024 • 24th Sunday in Ordinary Time, Year B

8 September 2024 • 23rd Sunday in Ordinary Time, Year B

1 September 2024 • 22nd Sunday in Ordinary Time, Year B

25 August 2024 • 21st Sunday in Ordinary Time, Year B

18 August 2024 • 20th Sunday in Ordinary Time, Year B

15 August 2024 • Our Lady’s Assumption

11 August 2024 • 19th Sunday in Ordinary Time, Year B

4 August 2024 • 18th Sunday in Ordinary Time, Year B

28 July 2024 • 17th Sunday in Ordinary Time, Year B

21 July 2024 • 16th Sunday in Ordinary Time, Year B

14 July 2024 • 15th Sunday in Ordinary Time, Year B

7 July 2024 • 14th Sunday in Ordinary Time, Year B

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

How Sharp Are Your Eyes?

Just around the corner is the feast of the Immaculate Conception. The GREGORIAN MISSAL (Solesmes Abbey, 1990) is an utterly gorgeous book—there’s no question about that. But several typos did creep in. Can you spot the major typo for the ENTRANCE CHANT on the feast of the Immaculate Conception? How sharp are your eyes? If you succeed, send me an email letting me know.

—Jeff Ostrowski

“Music List” • (Christ the King Sunday)

This coming Sunday—24 November 2024—is Christ the King Sunday (a.k.a. “Final Sunday in Ordinary Time”). Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. And the the Mode 3 ENTRANCE CHANT is utterly sublime.

—Jeff Ostrowski

“Entrance Chant” • Christ the King

Download the ENTRANCE ANTIPHON in English for the Solemnity of Christ the King (24 November 2024). It mimics the Mode III Latin version in a truly spectacular way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)