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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Something Quite Odd” • Today’s Responsorial Psalm

Jeff Ostrowski · August 4, 2024

OWADAYS I speak very little about the labyrinthine and frustrating morass that is the “approval process” for liturgical music in the Catholic Church. The major reason I avoid this topic is that some (not all) musicians and priests have already reached their conclusions—which they’ll hold onto forever, no matter how much contrary evidence they’re given. In other words, some will never change their minds, even if friends explain their errors until they’re blue in the face.1

Age-Old Pursuit • Much could be said about the various shenanigans that took place after the Second Vatican Council. At the root of much deception was an insatiable (and ruthless) pursuit of profit. You don’t have to be a nuclear physicist to realize that cornering the market on religious texts which thousands of churches are obligated (!) to purchase is a real “cash cow.”

Forthcoming Lectionary? • In the United States of America, a new translation of the Lectionary is supposed to appear at some point. According to top officials, the new Lectionary could be released as early as 2029. This project has been talked about for more than a decade. (Don’t “hold your breath” for it to appear.) I’m told they haven’t even begun work on the Old Testament. A few years ago, certain companies began refusing to print hard-bound books, pretending the new Lectionary was “about to appear.” (That was false.) When a friend of mine became aware of such maneuvers, he became convinced those companies were only pretending the new Lectionary was “imminent” to increase their own profits. His belief seems to have been vindicated.

(1 of 2) Psalter Troubles • Once upon a time, church authorities said the NAB responsorial psalms were going to be replaced by the “REVISED-REVISED GRAIL” translation. Certain publishers—including the WORSHIP IV HYMNAL by GIA Publications—tried to corner of the market by printing that version in their pew books. As a matter of fact, the project was eventually abandoned. That means books like the WORSHIP IV HYMNAL (for more than a decade) printed an incorrect text, which never appeared in any actual Lectionary and never will.

(2 of 2) Psalter Troubles • Currently, some believe the NAB psalter will be replaced by the “Abbey Psalms and Canticles” translation. A few years ago, Michael Breal released the complete text in PDF format. But be careful. According to the powers that be, the “Abbey Psalms and Canticles” may (or may not) be adopted. Specifically, they reserve the right to make “adjustments” to the text if they feel so inclined. Those familiar with the USCCB’s modus operandi realize they can make changes whenever they wish—to any text! They do this by pretending (after the fact) the previous version had been “provisional.” To be honest, it’s an iniquitous procedure.

Much Ado About Nothing • What’s all this about, anyway? The whole thing seems rather insane. I can understand why the original ICEL translation needed to be fixed. Monsignor Richard J. Schuler made that crystal clear three decades ago. But what is so magnificent about the “Abbey Psalms and Canticles” translation? Consider today’s Responsorial Psalm:

*  PDF Download • COMPARISON CHART
—The NAB translation vs. the “Abbey Psalms and Canticles” translation.

The NAB translation says: “He commanded the skies above.” The Abbey Psalms and Canticles translation says: “He commanded the clouds above.” The NAB translation says: “and opened the doors of heaven.” The Abbey Psalms and Canticles translation says: “and opened the gates of heaven.” And so forth.

Am I missing something here?

1 I’ll never forget a telephone conversation I had with a diocesan chancellor about a decade ago regarding the 20-Nov-2012 ruling by the USCCB’s liturgical division. For close to fifty minutes, I explained basic realities about “approved” liturgical texts to this priest, meticulously citing explicit (and undisputed) documentation. But he just didn’t want to hear it. I was wasting my breath.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, NAB Responsorial Psalm Translation, New American Bible Translation, New Lectionary Edition USA, Richard J Schuler Last Updated: December 20, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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