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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What Corrinne Did For Us!

Jeff Ostrowski · May 29, 2024

OMETIME AROUND the year 2008, an article of mine appeared in the ADOREMUS BULLETIN, published by Ignatius Press. Afterwards, Father Valentine Young said to me in an email: “Well, at least I can say I know famous people.” This comment ‘summarized’ or ‘encapsulated’ Father Valentine in a nutshell: brief and humble, always praising the good in others. His friendly comment comes to mind whenever I think of my friend and colleague, CORRINNE MAY, who’s one of the most famous people I know. A platinum singer & songwriter, Corrinne’s performances routinely garner 97,000+ views. She’s also an exemplary Catholic and mother unafraid to share her faith in God. Indeed, Corrinne was recently chosen to lead a special organization in Singapore that seeks to lead people from immorality (by persuasion).

What Corrinne Did • Readers know I’ve joined a team of about 25 musicians currently producing a Roman Catholic hymnal in Spanish. Part of our work includes the creation of rehearsal videos. I asked Corrinne May if she’d be willing to record (in her Singaporean studio) one of the hymns, and she agreed. You might be asking: “What’s so remarkable about that?” Well, here’s the thing … She doesn’t speak Spanish. But Corrinne was willing to help nonetheless, and we’re in her debt. I believe this melody is hauntingly gorgeous:

Here’s the direct URL link.

Don’t Get It Twisted! (1 of 2) • A few days ago, our organization scanned and released the Saint Dunstan Hymnal (158 pages), which contains rare accompaniments—and several unique English translations—by Charles Winfred Douglas (d. 1944). If you look carefully at the index, you’ll notice the following:

Don’t Get It Twisted! (2 of 2) • As the pew edition of the Brébeuf Hymnal makes clear in several different places, there are two different versions of the ancient hymn “Christe Redemptor Omnium.” One is for CHRISTMAS—and its fourth verse literally speaks of our Savior’s “birthday.” The other is for the feast of ALL SAINTS. In 1632AD, Pope Urban VIII changed the name of the CHRISTMAS hymn from Christe Redemptor Omnium to “Jesu Redemptor Omnium.” Pope Urban VIII also changed the name of the ALL SAINTS hymn from Christe Redemptor Omnium to “Placare Christe Servulis”—which is the hymn Corrinne recorded for us (we spoke of it above).

More Famous People • As long as I’m listing famous Catholics I know … an excellent contemporary writer of hymns is Father Dominic Popplewell, FSSP. Some of his oeuvre have been included on the imposing website: HYMNARY.ORG. I met Father Popplewell in person when he served as a member of the faculty for the 2017 Sacred Music Symposium. Father Popplewell has translated many Gregorian hymns into English. Consider the 4th verse of Verbe, égal au Très, a hymn by Jean Racine (d. 1699) based on Consors Paterni Luminis (see below). This is sacral language, my friends! And notice Father Popplewell’s sophisticated use of internal rhymes:

4. O Father, Son and Spirit, God alone,
The Holy One, the Word, their Bond divine,
Our fervent prayer attend, whose empires own
Nor rise nor term, and self-illumined shine.

My choir (which consists 100% volunteers) sang that piece at Mass on 26 May:

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusion • They say Don Bosco had a tremendous sense of humor. Saint Thomas More was also known to be cheerful—always cracking jokes—as was Saint Antoine Daniel, SJ. Evil people are jealous and morose and bring out the worst in others. As my mother always said: “Misery loves company.” But good people like Corrinne May and Father Dominic Popplewell are cheerful, generous, and never envious.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.
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Filed Under: Articles, Featured, PDF Download Tagged With: Jesu Redemptor Omnium Last Updated: May 30, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)
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