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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Message From Mr. Roderick Royce!

Corpus Christi Watershed · January 21, 2024

R. RODERICK ROYCE graduated from BOISE STATE UNIVERSITY (Idaho) with a bachelor’s degree in music education. He has sung in multiple choirs through the years, including the Cathedral of Saint John the Evangelist (Roman Catholic) under Dr. Ray Morvant. He has taught orchestra for about thirteen years. Mr. Royce recently sent the following message vis-à-vis Jeff Ostrowski’s seminar: “Secrets of the Conscientious Choirmaster”.

Jeff Ostrowski is a choirmaster based in Los Angeles, California. He and a group of individuals have created the Corpus Christi Watershed website to supply musicians with musical resources for Catholic choirs. Ostrowski’s latest resource is a seminar: Secrets of the Conscientious Choirmaster. The seminar is focused on choral music (motets, hymns, Mass settings, and so forth) useful to those who provide music at the Extraordinary Form (“Latin Mass”) or at the Ordinary Form (“Novus Ordo Missae”). Ostrowski introduces techniques and tools to help choirmasters improve as musicians and fall in love with the art of learning choral music all over again. Various items are treated: singing liturgical pieces of Catholic Music in Latin (including polyphonic pieces); Gregorian Chant, which is written in different modes; video recordings; and printable sheet music. Ostrowski teaches the choirmaster to better direct anybody—from an ‘average’ parishioner to the veteran choir member—how to sing hymnody in SATB parts and contrapuntal lines in polyphonic masterworks. He explains how to ‘build up’ the individual to add to the strength of the choir. He also encourages choirs to pray before rehearsals to strengthen their Catholic faith. Ostrowski has a “just do it” mentality. He patiently shows how to ‘speak’ and use Solfège on the most inspiring and difficult polyphonic pieces. Specimens he examines would include fugues and masterworks using imitative polyphony by Palestrina, Victoria, Guerrero, Croft, Morley, Lassus, and Josquin. After watching his seminar, I am more prepared to spend rehearsal time wisely, communicate effectively, and apply the tools he has taught me to help improve choir members.

You can watch the 57-minute INTRODUCTION to “Secrets of the Conscientious Choirmaster” completely free of charge by visiting https://ccwatershed.org/seminar/.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 21, 2024

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President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

Recent Posts

  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will

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