• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Palestrina Would Not Recognize This! • (Plus: Hopeful Signs)

Jeff Ostrowski · October 2, 2023

HE HOLY MARTYRS of North America were Jesuits who had their nails bitten off, their fingers sawn off, their tongues cut out, and were roasted (slowly) over fires for months. In spite of all that, their desire to suffer for JESUS CHRIST could not be satiated. In one incident, Father Isaac Jogues (d. 1646) knelt at the side of René Goupil, who was bleeding profusely from his wounds. “Dearest brother,” he said, “God has acted strangely toward us. But He is the Lord and the Master. What is good in His eyes, that He has done. As it has pleased Him, so be it. Blessed is His Holy Name forever.”

“God Has Acted Strangely” • In a certain sense, God has acted “strangely” in our day. Powerful clerics have attempted to forbid the Sacrifice of Calvary (!) from being celebrated inside a parish church. On the other hand, Canon Law (932 §1) stipulates: “The eucharistic celebration is to be carried out in a sacred place.” And yet, the following concert (see below) was allowed to take place in a church! Who can make sense of this?

A Different Type Of Jesuit • On 21 September 2023, composers Dan Schutte, Father Roc O’Connor (SJ), and Father Bob Dufford (SJ) joined together at Old Saint Patrick’s Church in Chicago for a concert called: “Sing to the Mountains!” The men stood in the Sanctuary of the church. A crowd of middle-aged and elderly people in the audience sang songs like Be Not Afraid, Sing to the Mountains, and Here I Am, Lord. Many consider those ditties to be a mixture of Broadway and folk—i.e. not suitable for Mass. Pictures from the event:

Palestrina Aghast! • Masters such as Palestrina (who died in the arms of Saint Philip Neri), Guerrero, Lassus, Byrd, Marenzio, Morales, Jacobus Händl, Zachariis, Bernabei, Nanino, Croce, Zoilo, Clemens Non Papa, Gabrieli, Josquin, Ingegneri, and Victoria wrote music of incomparable excellence for the sacred liturgy. Their compositions have never been surpassed. The purity of their melodies, the timelessness of their harmonies, and their utter command of counterpoint boggles the mind even today. Suppose you invented a time-machine to zip back to the 16th century. Suppose you showed them elderly men standing in the SANCTUARY playing secular instruments. What would they have thought?

The Bible • In the Gospel of Saint Matthew, we read: “Woe to the world because of scandals. For it must needs be that scandals come: but nevertheless woe to that man by whom the scandal cometh.” Perhaps we could do a better job shining the light on scandals. It seems like the same mistakes are made over and over again. For instance, my colleague ANDREA LEAL recently posted a video from a major Catholic publisher. I’m not going to repeat everything Andrea already said, but I would note the USCCB had previously given exclusive rights over the psalter to a private, non-Catholic company. Jeffrey Tucker of the CMAA found out about this and attempted to sound the alarm, but very few listened. (Dr. Jerry Galipeau was an exception, and it reflects well on him.) Recently, it was announced that ICEL has given exclusive rights (!) to sell the new LITURGY OF THE HOURS hymns to that same company! That company’s president declared on 30 September 2016:

“I’ve had the honor to work with these three wonderful people [Marty Haugen, Michael Joncas, and David Haas] for more than 30 years, and I can’t overestimate the profound impact that they’ve all had for me personally, for everyone at GIA Publications, and for the worshiping church at large.”

Déjà Vu • Why was that non-Catholic company given exclusive rights to sell (!) the hymns of the LITURGY OF THE HOURS? Do we really want a company that has been “profoundly impacted” by David Haas “for more than 30 years” to have exclusive rights to sell prayers that Catholic priests are required to say each day?

Signs Of Hope • Some claim that efforts to strangle and persecute Catholics desirous of traditional worship and orthodox teachings demonstrate that certain clerics in power deeply fear the groundswell. Si habuerítis fidem sicut granum sinápis, dicétis monti huic: Transi hinc illuc, et transibit, et nihil impossíbile erit vobis. Let’s pray that our leaders respond to what Pope Saint John Paul II called the “legitimate aspirations” of the People of God. Young Catholics especially appreciate and love the MISSALE VETUSTUM. Indeed, I didn’t see a single young person in any of the pictures of their audience. Not a single one. Am I wrong?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Arthur Cardinal Roche, Dan Schutte Mass of Christ the Savior, Missale Vetustum Last Updated: October 3, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • Music List • “Ascension of the Lord”
  • Call For Submissions! • ‘Usus Antiquior’ in Contemporary Catholicism (October 2026)
  • Inspiring Paper from a Graduating High School Senior
  • Entrance Chant • Before or After Opening Hymn?
  • “Unfair Characterization” • (But Good Question)

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”