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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing the CRCCM Repertoire Project

Daniel Tucker · September 23, 2023

ODAY I PLAYED MY FIRST SPANISH-LANGUAGE NUPTIAL MASS – a glorious occasion, but one not without a learning curve for this music director! In search of a good Spanish setting of one of the nuptial Mass psalms, I sent out a plea to my colleagues in the Conference of Roman Catholic Cathedral Musicians. And boy, was I richly rewarded! My fellow laborer in the vineyard of souls, Marc Cerisier, pointed me to a lovely setting that he had recently composed of Ps 34 (“Haz la prueba y verás qué bueno es el Señor”).

Spanish-Nuptial-Mass-Psalm-34.2-9Download

This psalm, and many more fine compositions by composers both past and present, are helpfully catalogued at the CRCCM’s new Repertoire Project (https://repertoire.crccm.org), a database which offers an ever-expanding list of choral music recommendations for Sundays, solemnities, and ritual Masses throughout the liturgical year by way of a user-friendly online interface. The database includes entries about published/copyrighted works, as well as entries with scores for those that are in the public domain or made freely available by the composer. The contents of the database are searchable by liturgical date or season, composer, language, musical forces required, and more!


This resource is made freely available to everyone, not just cathedral music directors. As the webpage states, “The Conference of Roman Catholic Cathedral Musicians humbly offers this trove of choral repertoire to Roman Catholic musicians and those of other denominations as an aid to planning music for liturgical celebrations. We hope you find this resource valuable and we invite you to revisit the site periodically as its offerings are further enriched over time.”


I hope that you will take advantage of this treasure trove of ideas and resources, and I would like to extend my thanks to all of my CRCCM colleagues for their collegiality and support, which enable us all to better serve Our Lord and His people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 23, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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