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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

Jeff Ostrowski · September 14, 2023

HINK ABOUT SOMEONE you consider a really good friend. Usually, it’s somebody who listens when you speak. Readers will probably agree not many know how to listen when others talk. Most of the time, the other person—instead of listening—is thinking about what they’re going to say next. Growing up in Kansas, I knew a university professor named Dr. Thomas O’Connor. I always liked that man, and one day I ask myself why. I realized that Tom was someone who listened when others spoke. Part of reaching maturity is realizing there’s a time and a place to speak—and there’s a time and a place to remain silent.

Remaining Silent • Much could be said about the special permission the Jesuit missionaries in North America received allowing the Native Americans to sing the Ordinary of the Mass (!) in their vernacular languages. In the past, we have made reference to the astounding plainsong books printed in Iroquois, Algonquin, and other Native American languages. Much could be said about the efforts undertaken by the Jesuits to learn the languages of the various tribes. Much research still needs to be done regarding all these themes. But the time is not now.

Brief Overview • For a brief introduction, please watch this film (which I helped produce). I recorded the organ music in the background, so don’t say anything bad about it.

Here’s the direct URL link.

Please Don’t Tell Anyone! • We don’t know that much about the various Native American languages. For example, Father Noël Chabanel was a brilliant rhetorician and poet, yet struggled mightily to learn the Huron tongue. The missionaries—without translators—were able to communicate with the Hurons, Iroquois, Algonquins, Petuns, Neutrals, and many other tribes. But I have not been able to learn how this was possible. Some claim that Algonquin was a type of lingua franca, but there are problems with that theory. Making things even more complicated is the fact that the Huron race was exterminated hundreds of years ago, although they have descendants called “Wyandot.” In any event, I will let you in on a little secret. The video above does display Native American plainsong, but it’s not actually the Huron tongue. Several examples are in Algonquin and several are in Iroquois. Please Don’t Tell Anyone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Native American Gregorian Chant Books, Native American Plain-Chant, Native American Plainsong Last Updated: May 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

Recent Posts

  • Entrance Chant • Before or After Opening Hymn?
  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)

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