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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

Jeff Ostrowski · August 23, 2023

WOULD BET MONEY you’ve heard elderly people say something like: “When I was growing up, I’d walk twelve miles to school in the snow…” I can assure you: I always walked to school. I never once rode in a car. And we enjoyed walking. It was quite peaceful. I was astonished to learn (when we moved to Los Angeles) that some parents send their children to high school each day in über! Do you ever take time to reflect? Do you ever look back and remember how things were growing up? Do you agree life back then was completely different? My family had four boys and one girl (the youngest). My parents refused to buy us a Nintendo, so we entered strangers’ houses (!) to watch our neighbors play Nintendo. For hours we’d sit there, hoping ardently we might get a short turn.

Kyrie Released • In a moment, I will continue this discussion. But first I want to release another movement of the Mass in Honor of Saint Noël Chabanel. Written for the Ordinary Form, this Mass involves your CONGREGATION, your CANTOR, and your CHOIR. It consists of seven movements. The other movements will most likely be released next week; we’re putting finishing touches on the rehearsal videos. I tried to make my setting as brief as possible. (Anyone who’s worked in Ordinary Form parishes will understand why.)

Free rehearsal videos for each individual voice await you at #39164.

To freely download the PDF score, locate #39164.

Discussion Cont’d • It seems unreal that as youngsters we roamed the neighborhood each day. I have a poor memory, so there’s tons I can’t remember. But I do remember the various houses we lived in, and I have specific memories of entering strangers’ homes. Life was different back then. Nobody even locked their doors at night! (If readers have similar experiences they wish to share, I’d love to hear them. You can send to the email address listed at the bottom of this page.)

Has Jeff Changed? • I think we’ve established that “times have changed.” Needless to say, human beings also change and develop with the passage of time. Consider the polyphonic ending to the Kýrie Eléison posted above. Would I even appreciate such a music as a youngster? Would I say to myself: “Oh, what a wonderful use of canon!” Would I exclaim: “Such a clever juxtaposition of long notes against fast-moving stepwise patterns.” Would I get excited over the way each voice enters yet carefully makes room for others to enter? Would I cherish the fact that no matter how many times one listens to that short polyphonic section, there’s always something new to listen for?

An Ever-Widening Vista • My friends, let’s be honest. This isn’t something my brain would have understood as a youngster. Yet, tremendous wisdom is demonstrated by the tradition of the Catholic Church. The THESAURUS MUSICAE SACRAE (“treasury of sacred music”) is not stagnant, lifeless, and tedious. Rather, it’s an ever-widening vista, offering something powerful and valuable to all who set foot in the church, no matter their current stage of development. Our culture insists that learning a discipline is worthless. Our culture also says hard work “victimizes.” But the tradition of the Church is different. The tradition of the Church says we don’t know everything—and it is good to study, learn, struggle, develop, and (as a consequence) grow.

Keeping Grounded • Readers will agree that American society has changed so much, it’s almost unrecognizable. However, the way to “escape the madness”—in my humble opinion—is to interact with people in real life. I love our annual Sacred Music Symposium because I come into contact with such wonderful and “grounded” people. I also love directing choirs, because the singers are fantastic people. They’re kind, generous, interesting, and unique. They keep me grounded.

The Rock’s Lesson • A “siren” in Greek mythology was a half-bird woman who lured sailors to destruction by the sweetness of her song. Many church leaders today have been lured away from the Gospel; instead they talk about “making the world a better place.” They have forgotten that our Savior said cælum et terra transíbunt (Mt 24:35). We must remember the lesson of the rock. If you visit Rome, you’ll observe stones which have been trod upon for centuries. It turns out even a hard stone will (ever so slowly) develop furrows. Now imagine the Earth as a giant stone. Ask yourself how long it would take for a tiny ant to walk around the equator until it caused furrows. We’re talking millions of years, right? And yet, even that is barely the beginning of eternity. Do we contemplate this?

Conclusion • When we begin to understand how long eternity lasts, the constant and heavy penances undertaken daily by someone like Saint John Vianney make sense. I do think there’s a “shortcut” to Heaven, however. (I base my theory off something Father Valentine Young said to me during confession.) In essence, I believe charity is something particularly pleasing to Almighty God. Therefore, let us love one another! And let us pray for the grace to forgive others’ faults for the sake of JESUS CHRIST. Et dimítte nobis débita nostra, sicut et nos dimíttimus debitóribus nostris…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Choral Extension Jeff Ostrowski, Father Noel Chabanel, MASS IN HONOR OF NOEL CHABANEL, SATB Polyphonic Extension, Thesaurus musicae sacrae Last Updated: August 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

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  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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