• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Jeff Ostrowski · August 7, 2023

HERE’S AN OLD SAYING: “Sometimes you win and sometimes you learn.” Are you someone who constantly makes mistakes? I am. Do you learn from your mistakes? That’s the key. I constantly make mistakes, but it’s okay because I learn from them. For example, I created an organ accompaniment for VESPERS on the Feast of the Transfiguration. During the process of creating it, I tried tons of new techniques. Some worked; many didn’t. Then, while I was accompanying VESPERS yesterday, the organ broke halfway through! But it’s all fine, because the booklet will be ready for next year—and everything I learned will be helpful next time I make a booklet:

*  PDF Download • TRANSFIGURATION BOOKLET (25 pages)
—Organ Accompaniment Booklet • 6 August • VESPERS.

Hymn for the Transfiguration • Moreover, I was able to add a Latin version of “Quicúmque Christum Quǽritis” at the bottom of this website for choirs forbidden to sing in English. I have often declared that the Vespers hymn for the Sacred Heart contains more hyper-metric syllables than any other—but I see that “Quicúmque Christum Quǽritis” is a close second. Indeed, there’s something funky about its hyper-metric syllables, in particular the word “óculos.” Most occur in the same spot, which leads me to believe its “original” melody might have something to do with this. You can see how “Quicúmque” appeared in the edition by Abbat Pothier’s student if you click here. The Gregorian melody is not one of my favorites. I find it hard for congregations to sing well and a little too “dark.”

Historic Release! • Today, we release something quite remarkable. It’s a special edition of the “Missale Romanum” printed in Turin—with North American feasts in a supplement—by the MARIETTI PUBLISHING COMPANY in 1957:

*  PDF Download • MISSALE ROMANUM (Turin, 1957)
—Beware! This file is 1.58GB.

39122-Missale-E
39122-Missale-k
39122-Missale-F
39122-Missale-l
39122-Missale-C
39122-Missale-G
39122-Missale-B
39122-Missale-A
39122-Missale-H

Liturgical Changes! • I feel bad for the MARIETTI PUBLISHING COMPANY. They went to immense trouble in order to include the Pius XII Holy Week, which was first used in 1956. However, just a few years later the entire book would become obsolete. The amount of liturgical changes made during the 20th century are staggering. Pope Saint Pius X made many liturgical changes. In my humble opinion, the way he restored the ancient TEMPORALE was praiseworthy. After Pius X, you had new prefaces and feasts added. Pope Pius XII then made innumerable changes to the liturgy. The 1960s brought more changes, as did the 1970s. Indeed, the Abbey of Solesmes refused to incorporate the 1961 rubrical changes made by Pope Saint John XIII in their famous LIBER USUALIS. I believe the reason they refused is because it would’ve required enormous effort, and everything was about to change again! It’s almost as if Solesmes Abbey (given charge of all official Vatican plainsong editions beginning in 1913) was saying to the Vatican in 1961:

“Let us know when you get your house in order. Only then will we begin laboriously implementing these incessant ‘improvements’ you are constantly making to our liturgical books.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quicumque Christum Quæritis Last Updated: August 8, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up