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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Jeff Ostrowski · August 7, 2023

HERE’S AN OLD SAYING: “Sometimes you win and sometimes you learn.” Are you someone who constantly makes mistakes? I am. Do you learn from your mistakes? That’s the key. I constantly make mistakes, but it’s okay because I learn from them. For example, I created an organ accompaniment for VESPERS on the Feast of the Transfiguration. During the process of creating it, I tried tons of new techniques. Some worked; many didn’t. Then, while I was accompanying VESPERS yesterday, the organ broke halfway through! But it’s all fine, because the booklet will be ready for next year—and everything I learned will be helpful next time I make a booklet:

*  PDF Download • TRANSFIGURATION BOOKLET (25 pages)
—Organ Accompaniment Booklet • 6 August • VESPERS.

Hymn for the Transfiguration • Moreover, I was able to add a Latin version of “Quicúmque Christum Quǽritis” at the bottom of this website for choirs forbidden to sing in English. I have often declared that the Vespers hymn for the Sacred Heart contains more hyper-metric syllables than any other—but I see that “Quicúmque Christum Quǽritis” is a close second. Indeed, there’s something funky about its hyper-metric syllables, in particular the word “óculos.” Most occur in the same spot, which leads me to believe its “original” melody might have something to do with this. You can see how “Quicúmque” appeared in the edition by Abbat Pothier’s student if you click here. The Gregorian melody is not one of my favorites. I find it hard for congregations to sing well and a little too “dark.”

Historic Release! • Today, we release something quite remarkable. It’s a special edition of the “Missale Romanum” printed in Turin—with North American feasts in a supplement—by the MARIETTI PUBLISHING COMPANY in 1957:

*  PDF Download • MISSALE ROMANUM (Turin, 1957)
—Beware! This file is 1.58GB.

39122-Missale-E
39122-Missale-k
39122-Missale-F
39122-Missale-l
39122-Missale-C
39122-Missale-G
39122-Missale-B
39122-Missale-A
39122-Missale-H

Liturgical Changes! • I feel bad for the MARIETTI PUBLISHING COMPANY. They went to immense trouble in order to include the Pius XII Holy Week, which was first used in 1956. However, just a few years later the entire book would become obsolete. The amount of liturgical changes made during the 20th century are staggering. Pope Saint Pius X made many liturgical changes. In my humble opinion, the way he restored the ancient TEMPORALE was praiseworthy. After Pius X, you had new prefaces and feasts added. Pope Pius XII then made innumerable changes to the liturgy. The 1960s brought more changes, as did the 1970s. Indeed, the Abbey of Solesmes refused to incorporate the 1961 rubrical changes made by Pope Saint John XIII in their famous LIBER USUALIS. I believe the reason they refused is because it would’ve required enormous effort, and everything was about to change again! It’s almost as if Solesmes Abbey (given charge of all official Vatican plainsong editions beginning in 1913) was saying to the Vatican in 1961:

“Let us know when you get your house in order. Only then will we begin laboriously implementing these incessant ‘improvements’ you are constantly making to our liturgical books.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quicumque Christum Quæritis Last Updated: December 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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