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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Jeff Ostrowski · August 7, 2023

HERE’S AN OLD SAYING: “Sometimes you win and sometimes you learn.” Are you someone who constantly makes mistakes? I am. Do you learn from your mistakes? That’s the key. I constantly make mistakes, but it’s okay because I learn from them. For example, I created an organ accompaniment for VESPERS on the Feast of the Transfiguration. During the process of creating it, I tried tons of new techniques. Some worked; many didn’t. Then, while I was accompanying VESPERS yesterday, the organ broke halfway through! But it’s all fine, because the booklet will be ready for next year—and everything I learned will be helpful next time I make a booklet:

*  PDF Download • TRANSFIGURATION BOOKLET (25 pages)
—Organ Accompaniment Booklet • 6 August • VESPERS.

Hymn for the Transfiguration • Moreover, I was able to add a Latin version of “Quicúmque Christum Quǽritis” at the bottom of this website for choirs forbidden to sing in English. I have often declared that the Vespers hymn for the Sacred Heart contains more hyper-metric syllables than any other—but I see that “Quicúmque Christum Quǽritis” is a close second. Indeed, there’s something funky about its hyper-metric syllables, in particular the word “óculos.” Most occur in the same spot, which leads me to believe its “original” melody might have something to do with this. You can see how “Quicúmque” appeared in the edition by Abbat Pothier’s student if you click here. The Gregorian melody is not one of my favorites. I find it hard for congregations to sing well and a little too “dark.”

Historic Release! • Today, we release something quite remarkable. It’s a special edition of the “Missale Romanum” printed in Turin—with North American feasts in a supplement—by the MARIETTI PUBLISHING COMPANY in 1957:

*  PDF Download • MISSALE ROMANUM (Turin, 1957)
—Beware! This file is 1.58GB.

39122-Missale-E
39122-Missale-k
39122-Missale-F
39122-Missale-l
39122-Missale-C
39122-Missale-G
39122-Missale-B
39122-Missale-A
39122-Missale-H

Liturgical Changes! • I feel bad for the MARIETTI PUBLISHING COMPANY. They went to immense trouble in order to include the Pius XII Holy Week, which was first used in 1956. However, just a few years later the entire book would become obsolete. The amount of liturgical changes made during the 20th century are staggering. Pope Saint Pius X made many liturgical changes. In my humble opinion, the way he restored the ancient TEMPORALE was praiseworthy. After Pius X, you had new prefaces and feasts added. Pope Pius XII then made innumerable changes to the liturgy. The 1960s brought more changes, as did the 1970s. Indeed, the Abbey of Solesmes refused to incorporate the 1961 rubrical changes made by Pope Saint John XIII in their famous LIBER USUALIS. I believe the reason they refused is because it would’ve required enormous effort, and everything was about to change again! It’s almost as if Solesmes Abbey (given charge of all official Vatican plainsong editions beginning in 1913) was saying to the Vatican in 1961:

“Let us know when you get your house in order. Only then will we begin laboriously implementing these incessant ‘improvements’ you are constantly making to our liturgical books.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quicumque Christum Quæritis Last Updated: December 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

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